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Amanda Anne Platt & the Honeycutters w/ Town Mountain

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Amanda Anne Platt & the Honeycutters w/ Town Mountain
Thursday, December 7, 2017 8:00 PM
Harvester Performance Center, Rocky Mount, VA
Admission Type Price Quantity

General Admission

$20.00

Gold Section (first 3 rows)

More Info
Seats in the first 3 rows.
$37.00
ALL SALES ARE FINAL
Show Details
  • When: Thursday, Dec 7, 2017 8:00 PM (Doors open at 7:00 PM)
  • Ticket Price: $20.00 - $37.00
  • Door Time: 7:00 PM
  • Show Type: Americana
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Ashville Holiday Hang, with  Amanda Platt & The Honeycutters, with Town Mountain

Amanda Anne Platt & the Honeycutters
“We’re switching things up a little. After four albums I’ve decided to step out and start using my own name. It’s something that a lot of people have encouraged me to do over the years, and I guess that 2017 just felt right.” That name, Amanda Anne Platt & The Honeycutters, is also the title of the band’s new album, which will be released by Organic Records on June 9, 2017. “We’re keeping The Honeycutters too because we don’t want to confuse people…really, we’ve always been Amanda Anne Platt and the Honeycutters. I think I’ve just gotten to a place where I feel comfortable enough to be in the spotlight.” Lyrically driven, the songs on Amanda Anne Platt & The Honeycutters blend the band’s old-school country roots attitude with their shared influences of rock and folk. Amanda says of the album, “I think it’s just about life and all that that entails. Including but not limited to death, strangers, birthdays, money, leaving, arriving, seasons, corruption, and love.” Performing along with Platt, The Honeycutters are Matt Smith on pedal steel and Stratocaster, Rick Cooper on bass, Josh Milligan on drums and harmony vocals, and Evan Martin on keys and Telecaster. Amanda Anne Platt & The Honeycutters is the group’s third release on Organic Records, and fifth album. Assembling the same the same team as 2016’s On The Ropes Balsam Range’s Tim Surrett steps in for the second time to co-produce this album along with Amanda. Its thirteen tracks were recorded, mixed, and mastered by Scott Barnett at Crossroads Studios in Arden, NC. There is an empathetic and charming wit engrained in Amanda’s songwriting. She has a knack for accessing a deep well of emotion and applying it to her story-telling, whether she is writing from her own experiences or immersing herself into the melody of emotions in another person’s life. In the lead off track, “Birthday Song,” Amanda writes with a gentle optimism, “Every time it gets colder I get another year older… I start looking for lines in the bathroom mirror… but when I lay down at night I swear I must have done something right… cause I’m still so damn glad to be here… I’ve been trying to love the questions, and keep on guessing.” Written just before her 30th birthday, Platt calls the song, “a summation of everything I learned in that decade.” There is an easygoing warmth to the album, enhanced by the its refined arrangement and production; from the upbeat “Diamond in the Rough” to the poetic and observational “Eden” to the very personal, yet universal, “Brand New Start” to “Late Summer’s Child” (an ode to her favorite season) and “Rare Thing” (a song commissioned from Platt from a fan as a love song to his wife that ended up being included on the album. “Your mama said that it would never last… but these years go by so fast… and you’re the song I’m humming to myself as I’m counting the miles… you’re such a rare thing.”) One can feel it even in songs with a more solemn concept behind them like, like “Long Ride,” which speaks of living in the moment in the face of mortality. Platt wrote “Learning How To Love Him” after hearing an acquaintance of hers talk about learning that her husband of 40+ years was terminally ill. She says, “What really struck me was how she described the tenderness that the news brought back to their relationship.” Amanda sings, “’I woke last night and I felt so afraid, I turned on the light and shook him awake and we stared at the ceiling, listening to the sink drip… I spent my whole life learning how to love him and I never loved him more than I do today.” The successes of On The Ropes [2016] and Me Oh My [2015] have propelled Anna Anne Platt and The Honeycutters onto the national scene and they have been featured on NPR’s World Cafe’s Sense of Place, NPR’s Mountain Stage, Nashville’s Music City Roots, and Folk Alley and they have performed at AmericanaFest, MerleFest, and IBMA. On The Ropes debuted at #39 on iTunes Top 40 Country Chart on release day and landed on a plethora of year end lists including placing #35 on the Top 100 Albums played on Americana Radio in 2016 and landing at #1 on Western North Carolina’s WNCW Radio’s Year End Listeners Poll of Top Albums of 2016! On The Ropes hit #11 on the EuroAmericana Chart and The UK’s Julian Piper with Acoustic Magazine says, “Amanda Platt has one of those gorgeous heartache-drenched voices that brings to mind Loretta Lynn or Sheryl Crow.” Amanda Anne Platt & The Honeycutters plan to tour extensively in US this year and will travel to Europe for the first time in the summer. They are excited to release Amanda Anne Platt & The Honeycutters to the world this spring!

Town Mountain
Raw, soulful, and with plenty of swagger, Town Mountain, based in Asheville, NC, released their 5th studio album, Southern Crescent, on April 1, 2016 on LoHi Records. Produced and engineered by GRAMMY winner Dirk Powell, Southern Crescent was recorded in Powell’s studio The Cypress House in south-central Louisiana town of Breaux Bridge. It was mixed by Mixed by Scott Vestal at Digital Underground in Greenbrier, TN. Since it’s release the band debuted on the Grand Ole Opry and the Ryman Auditorium stages bringing their sound to new audiences. The critically acclaimed album debuted at #4 on the Billboard Bluegrass Chart while staying for ten weeks on the Americana Music Association’s radio chart’s Top 40. No Depression’s Amos Perrine names Town Mountain as, “the most exciting bluegrass band to come along in a long time,” which is echoed by Music City Roots’ Craig Havighurst’s sentiments, “I’d put Town Mountain on my list of Five Bluegrass Bands You Must Know in 2016, because while the genre has forked and morphed in wonderful ways, these guys from Asheville have more Flatt & Scruggs and more Jimmy Martin in their sound than any young band I can think of. And when they do nod to other influences, they tend to be from parallels to the early bluegrass era, like Chuck Berry and Carl Perkins for example.” Up for a 2016 Emerging Artist Award with IBMA and the 2013 winners of IBMA Momentum Awards for Performance Band and Vocalist of the Year (Robert Greer), Town Mountain has earned raves for their hard-driving sound, their in-house songwriting and the honky-tonk edge that permeates their exhilarating live performances. With an insatiable musical hunger, the members of Town Mountain are Robert Greer on vocals and guitar, Jesse Langlais on banjo and vocals, Phil Barker on mandolin and vocals, Jack Devereux on fiddle, and Adam Chaffins on bass. Please note Bobby Britt (fiddle) and Nick DiSebastian (bass) perform on the album. The album was recorded in a decidedly old-school way, live, with minimal fixes and overdubs, with all the musicians in the same room and no noise-reducing baffling between them. Each of Town Mountain’s members contributed songs to Southern Crescent, with Barker, Langlais, and Greer the chief writers in the band. Raleigh News & Observer calls Southern Crescent “hard-charging, grits-and-gravy authentic, the kind of emotions on the strings of Bill Monroe and Flatts and Scruggs pioneered more than 60 years ago… Town Mountain honors the Ancients while bringing a collective and generational identity to their art.” From the boogie-woogie piano of Jerry Lee Lewis that inspired the delightful (and danceable) “Coming Back to You,” to Greer’s cleverly penned and fast-paced “Tick on a Dog,” which offers a taste of another major bluegrass influence, Jimmy Martin, Southern Crescent is tailor-made to keep live audiences on their feet, but it’ll also keep those who think they can easily peg Town Mountain on their toes. “Town Mountain holds its own against all comers when it comes to producing a powerhouse bluegrass drive grown from deep roots.” Bluegrass Unlimited goes on to write, “Much like Monroe’s original Blue Grass Boys show, the CD opens with a lickety-split fiddle number, ‘St. Augustine,’ then the band shifts gears and rolls into an up-tempo, bouncy ‘Ain’t Gonna Worry’ written and sung by the band’s mandolinist, Phil Barker.” The band has been making rounds at notable festivals this season, having appeared at Pickathon in Oregon, IBMA’s Wide Open Bluegrass in Raleigh, Nelsonville Music Festival in Ohio, ROMP and Festival of the Bluegrass in Kentucky, Three Rivers Arts Festival in Pittsburgh, Denver Beer Co.’s Sundrenched Music Festival, Rooster Walk in Virginia, Nelsonville Music Festival in Ohio, among others. Walter Tunis with Lexington Herald Ledger notes, “The ascension of Town Mountain as one of the festival’s [Festival of Bluegrass 2016] premiere acts was demonstrated in a set that emphasized the North Carolina’s quintet’s obvious strengths – specifically, a rugged ensemble charge (showcased at once during the show opening Tick on a Dog), ample stylistic dexterity (the honky tonk drive of Whiskey With Tears) and individual firepower (Greer’s joyous vocals, Phil Barker’s quick-witted mandolin picking). “The past echoes through Town Mountain, clear through to the future,” says Railroad Earth’s Tim Carbone. “To bluegrass fans I’d say the genre is in good hands. But you will dig the rough edges too! They’re a shot of 100 proof bluegrass with a honky-tonk chaser!” Carbone is part of the partnership of the new LoHi Records, of which Southern Crescent is the first album in their catalog. Based in Greensboro, NC, the label also includes singer/songwriter and record producer Todd Snider, Hard Working American’s Chad Staehly, who is also with Gold Mountain Entertainment in Nashville, and entrepreneur and marketing veteran Jim Brooks.