...
0
A Taste of Ireland
Direct from Off-Broadway and London’s West End, the internationally acclaimed A Taste of Ireland Company returns with its flagship production—‘A Taste of Ireland—The Irish Music& Dance Sensation’—touring the USA in 2026. Laugh, cry, and jig into the night with a production that is Celtic, for this generation.
Performed by former World Irish dance champions, and featuring dancers from Lord of the Dance, Riverdance, and the recent West End cast of Éireann, ‘A Taste of Ireland’ brings the spirit and energy of modern Ireland to life with a pint of Irish wit. Watch world-class performers blend melodic folk mash-ups, live jaw-dropping acapella tap battles, and heartfelt storytelling in a live celebration of Irish music and dance.
Featuring revamped classics of Danny Boy, Tell Me Ma, Wild Rover, and many more well-known songs, the show’s reimagined contemporary score blossoms alongside the brash Irish charm of the live dance cast. ‘A Taste of Ireland’ merges cultural traditions, modern flair, and craic galore to deliver a performance that has been leaving audiences across the globe jigging on their feet for the last decade.
With over one hundred and fifty 5-star Facebook reviews, ‘A Taste of Ireland’ is exactly what it promises: a taste of everything you love about Ireland—with a generous helping of more. ‘A Taste of Ireland’ is a show with 100% live singing and dancing that fuses storytelling, modern Irish dance, tap, and contemporary performance to bring Ireland’s stories to life on stage.
With a strictly limited USA run, see ‘A Taste of Ireland’ in 2026 for limited performances before it takes off around the globe once again.
‘Witness the birth of a nation told through rhythm and beat, with the cry of the Vikings as they were brought to defeat, the rise and fall of the rebellion the show tells the tale, trapped were the Irish, watch them dance from the jail. For the nation fought free from Dundalk to Tralee,they sing and they dance through the night full of glee. For Ireland, there was not a nation quite like her, hold on to your seat, feel Ireland’s passion and fire.’
Great artists take the pulse of their times. In his half-century as a street-level social observer and scaldingly honest songwriter, blues-rock's resilient icon Walter Trout has never told his fans what to think, how to feel, where to stand politically, or what to scrawl on their protest placards. But in an era when his home nation – and the wider world – is ripping at the seams over the battlelines of modern life, the iconic US bluesman's hard-rocking new album, Sign Of The Times, is the primal scream and pressure valve we all desperately need. "I wanted to convey the anger and angst going
on in the world," explains the 74-year-old. "For me, writing these songs is therapy. They're not just about what's happening out there, but how it affects you in your head. Sign Of The Times just became the obvious title..."
Right now, it feels like the amps have barely cooled from 2024's Broken ("That record debuted on Billboard at #1 – I was very, very pleased with that"). But the era-chronicling songs from Sign Of The Times wouldn't wait, these urgent riffs flying off the guitarist's fingers, assisted once again by Dr Marie Trout, Walter's wife, manager and latterly co-writer, whose eloquent lyrics struck each subject on the head. "This album flowed pretty easily," he reflects of the writing process. "I had so many song ideas and pages of lyrics from Marie. We could have kept going and made a triple album."
With ten new songs written and arranged, Trout was ready to call up his studio band – longtime drummer Michael Leasure, bassist John Avila and keys man Teddy 'Zig Zag' Andreadis – for sessions at producer Thomas Ross Johansen's Strawhorse Studios in Los Angeles. Immediately, the tinderbox subject matter sparked one of the toughest-sounding records in his catalogue. "Let me put it this way," considers Trout, "after we finished recording the title track, my keys player Teddy said, 'Well, you won't be winning a blues award this year'. But I really felt like rocking on this album. We had
heavy things to talk about, and we went for it musically too."
Born in Ocean City, New Jersey, in 1951, Trout has been right there at the sharp end for all the most flammable chapters in post-war American history. Raised against the polarised backdrops of the hippie dream and the Vietnam War, his personal history was also one of jagged extremes, with his searing talent for guitar helping him escape an abused childhood that left its mark on some of his best songs. In '74, he made the audacious coast-to-coast drive to Los Angeles and won transient gunslinger spots with titans like John Lee Hooker and Big Mama Thornton. By the early-'80s, he was a high-functioning addict whose demons simmered as he stoked the engine for boogie legends Canned Heat. "It wasn't the smoothest road, that's for sure," he reflects. "A lot of potholes..."
The recent death of British blues godfather John Mayall has naturally brought Trout's mid-'80s tenure with the Bluesbreakers into sharp focus. "His influence on my life, I can't overstate," reflects the guitarist. "My career would have been vastly different if he hadn't invited me into his band and stuck with me through my drug addiction and alcoholism, when I was such a clown. It wasn't just a musical relationship – he was a surrogate father to me. The last time he and I were together, it was very fitting and beautiful. We were in the dressing room after I invited him to my show in LA, laughing and telling stories. Then we hugged, and that was the last time I saw him."
By '89, Mayall's paternal influence had cleaned Trout up and propelled him into the solo career whose breadth and quality makes his peers look sluggish by comparison. Scan his back pages and you'll find a thousand accolades – including Blues Music Awards, SENA European Guitar Awards, British Blues Awards and Blues Blast Music Awards – summed up by the quote from storied British DJ 'Whispering' Bob Harris, who declared Trout "the world's greatest rock guitarist" in his 2001 autobiography, The Whispering Years.
While Trout has excavated himself with agonisingly personal songs across his back catalogue, when times are at their toughest, he's also proved himself a sharp-eyed protest singer. Like 2012's classic Blues For The Modern Daze – but with new targets and a very different musical flavour – Sign Of The Times looks outward as well as within. The album explodes to life with Artificial: a scornful, satirical, harmonica-spiced rebuke of the fake world we risk creating with unchecked AI. "We got artificial photos, artificial music, you could go on and on," considers the bluesman. "I'm freaked out by AI. I read articles about how it's gonna do all these wonderful things in the medical world. Then I hear Bill Gates say that 80 per cent of jobs are gonna disappear. What happens then?"
Just as combustible is Sign Of The Times' title track. One of the most experimental cuts in Trout's half-century studio output, it finds a monstrous guitar tone paired with massed chants and an out- there solo that few blues gods would dare put down on tape. "I've played it for blues fans who were outraged," he admits. "But I wanted to outrage people. I wanted it to be dissonant. Dissonance is a sign of the times. The chant is supposed to be the repressed people of the world crying. I actually wrote it on an acoustic, but the final track is massive and John Avila had this nasty, growling bass sound. Marie had been inspired by watching Bob Dylan documentaries with me and every line of that is hers."
With its cross-burning lyrical references and a howling solo tracked with a BluGuitar Mercury Edition amp, Trout explains that No Strings Attached skewers the small-minded ("It's obviously about bigots"). Yet Sign Of The Times is no one-note diatribe. For Trout – who survived an eleventh-hour liver transplant in 2014 – his second chance at life still holds joy, beauty and pain. "Mona Lisa Smile came to me in a dream," he says of the gorgeous, bucolic acoustic strum decorated by accordion, mandolin and violin from famed string arranger Stevie Blacke (Ariana Grande, Beyoncé). "Y'know, Marie is strong and potent – but there's another side to her which makes me love her even more. That song is about when I see her vulnerability, or her moments of self-doubt and sadness."
With its dancing guitar lick and undeniable chorus, I Remember is also a moment of respite from the album's stormier subject matter. "That song is a longing for when life was simpler," he explains. "Like, when I was 20 and starting out. Or when Marie and I had just got together, and we had no money and were pawning guitars, but we were madly in love and the future was ahead of us. We didn't have anything, but we felt like we had much more, because the world was alive with the promise of what would be revealed."
Since their 2010 self-titled debut, The Secret Sisters have brought their spellbinding harmonies to songs that untangle the thorniest aspects of life and love and womanhood. In the making of their new album, Mind, Man, Medicine, Alabama-bred siblings Laura Rogers and Lydia Slagle found their songwriting transformed by a newfound sense of self-reliance and equanimity, threading their lyrics with hard-won insight into the complexities of motherhood, commitment, compassion, and self-preservation in an endlessly chaotic world. Centered on a kaleidoscopic sound that boldly blurs the edges of country-folk, the duo’s fifth full-length ultimately confronts many of modern life’s harshest challenges while leading the listener toward a more open-hearted state of mind.
“In our previous records there was a feeling that we had something to prove, but now we’re leaning toward a place of peaceful acceptance and trying to stay immersed in the present,” says Slagle, noting that their shared experience in parenting young children greatly informed that shift in perspective. “There are definitely still moments of frustration and anger on this album, but there’s also a little more light,” Rogers adds. “I think a lot of that came from getting older, and from letting go of the pressure we put on ourselves in the past. We finally reached the point of saying, ‘Let’s just write the songs honestly as we can, and trust that they’ll reach whoever they’re meant to reach.’”
The follow-up to Saturn Return—their 2020 Grammy-nominated LP co-produced by Brandi Carlile and lavishly praised by the likes of Rolling Stone—Mind, Man, Medicine finds The Secret Sisters co-producing alongside Ben Tanner (Alabama Shakes, St. Paul & the Broken Bones) and John Paul White (formerly of Grammy-winning duo the Civil Wars). “On Saturn Return we’d gotten much more confident as far as directing the sound of the record and knowing how to capture our voices in the most honest way, so it felt like the right time for our first foray into production,” says Rogers. The latest in a series of critically lauded releases, the album came to life at FAME Studios (the historic spot in their hometown of Muscle Shoals) and at Sun Drop Sound in nearby Florence, with contributions from such esteemed musicians as Alabama Shakes bassist Zac Cockrell and legendary multi-instrumentalist Larry Campbell (Paul Simon, Willie Nelson, Levon Helm).
Referring to The Secret Sisters’ latest chapter as “one where we seek, savor, and settle,” the duo lifted the title to Mind, Man, Medicine from a lyric in “Same Water”: a gorgeously bluesy meditation on the search for healing in a profoundly troubled world, channeling both weariness and empathy with soulful conviction. “There’s a line in ‘Same Water’ that says ‘Mind or man or medicine/I have tried them all,’ which feels like it encompasses everything we were trying to say on this record,” Slagle explains. “In a lot of these songs we’re struggling with our own minds and emotions, with our relationships, and with whatever we’re using to try to cope and find relief.”
In a lovely introduction to the album’s expansive sound, Mind, Man, Medicine opens on a hypnotic number called “Space.” With its stark yet sprawling arrangement of luminous piano, otherworldly synth, and moody guitar tones—achieved in part through Slagle’s performance on rubber bridge guitar—“Space” infuses an element of dreamy psychedelia into The Secret Sisters’ contemplation of human connection and all its intricacies. “It’s about recognizing that loving someone isn’t always going to be easy, especially when they have a belief or a political leaning that you disagree with,” says Rogers. “It’s so simple to project your desires onto someone else, but in the end you have to hold onto what you love and value about them, even when it gets tough.”
In its lived-in exploration of what holds us together and tears us apart, Mind, Man, Medicine delves further into nuanced social commentary on “If the World Was a House.” “We’ve all heard about moments in history where people collectively experienced something very challenging, but ended up coming out of it stronger,” says Rogers. “When I look at the world around us, it seems like the pandemic didn’t have that effect—if anything, it feels like we’re even more divided now. That song is wrestling with a longing for everyone to take better care of each other, and to recognize that every person you share the planet with matters just as much as you do.”
Astute observers of the heart’s most intimate dimensions, The Secret Sisters also offer up such wildly effusive love songs as “Paperweight”—a prime showcase for their deep-rooted country sensibilities, graced with galloping rhythms and a bit of exquisitely nimble fiddle work from Campbell. “I tend to go with the flow in a way that can be unhealthy, where I sometimes hold back from speaking up for myself because I don’t want to ruffle any feathers,” says Slagle. “But one thing that’s always made everything feel solid and stable is my relationship with my husband, so I wrote ‘Paperweight’ about having that person who keeps you grounded when you feel like you might just float away.” Meanwhile, on “All The Ways,” singer/songwriter Ray LaMontagne lends his raspy vocals to a slow-burning track touched with all the sublime simplicity and low-slung grooves of classic R&B. “I love those moments in a live show when everyone sings together and there’s a feeling of the artist and audience sharing in the song’s performance,” says Rogers. “I wanted to create a chorus like that—something everyone can sing at the top of their lungs—and eventually it evolved into a song about feeling strong and powerful in your own femininity.”
Elsewhere on Mind, Man, Medicine, The Secret Sisters bring their layered introspection and boundless sensitivity to such complicated subjects as fractured friendships (“Never Walk Away”), the interconnectedness of love and advocacy (“I’ve Got Your Back”), the loss of identity often experienced in the early stages of motherhood (“Bear With Me”), and the singular joy of truly conditional love (“I Can Never Be Without You Anymore”). “Through our experience in raising children, Lydia and I have both had the realization that there’s nowhere we could go on this entire planet where our hearts won’t be with our kids,” says Rogers in discussing the inspiration behind “I Can Never Be Without You Anymore.” “That can be a difficult reality at times, but it’s glorious as well. I’m really proud of that one, and of the fact that we were able to write a love song that comes from a less painful place than many of our love songs in the past.”
Looking back on the creation of Mind, Man, Medicine, The Secret Sisters reveal that the immense support of their fans played a major role in their willingness to tread previously uncharted emotional terrain. “I remember playing a show last fall and expressing my gratitude to the crowd that they’d come out to see us, because as mothers of young children we now understand how challenging that can be,” says Rogers. “Later on that night a woman came up to us with her daughter and husband and said something like, ‘I know it’s so hard to leave your babies—but you leaving your babies at home for a little while is what makes moments like this happen for other families.’ It was so gratifying to hear that, and reminded me of the whole purpose behind the music that we make: it’s to benefit the hearts of other people, anyone who needs that healing or validation or connection, or even just the space to cry. That’s why we keep doing this.”
$2 from each ticket will go to Melissa's charity,
The Etheridge Foundation advances transformative new treatments for opioid use disorder (OUD) through two pillars: advocacy and supporting groundbreaking research.
We help to fund studies on plant medicine and psychedelic therapies for OUD that use an integrated understanding of factors such as mental health issues, trauma, and chronic pain.
We’re working to increase the kinds of treatment resources available for people with OUD so that they can access the support they need for true healing.
Our ultimate goal is safe, legal, and equitable access to effective new treatments for all who could benefit.
Melissa Etheridge stormed onto the American rock scene in 1988 with the release of her critically acclaimed self-titled debut album, which led to an appearance on the 1989 Grammy Awards show. For several years, her popularity grew around such memorable originals as “Bring Me Some Water,” “No Souvenirs” and “Ain’t It Heavy,” for which she won a Grammy® in 1992. Etheridge hit her commercial and artistic stride with her fourth album, Yes I Am (1993). The collection featured the massive hits, “I’m the Only One” and “Come to My Window,” a searing song of longing that brought Etheridge her second Grammy® Award for Best Female Rock Performance. In 1995, Etheridge issued her highest charting album, Your Little Secret, which was distinguished by the hit single, “I Want to Come Over.” Her astounding success that year led to Etheridge receiving the Songwriter of the Year honor at the ASCAP Pop Awards in 1996.
Known for her confessional lyrics and raspy, smoky vocals, Etheridge has remained one of America’s favorite female singers for more than two decades. In February 2007, Melissa Etheridge celebrated a career milestone with a victory in the “Best Song” category at the Academy® Awards for “I Need to Wake Up,” written for the Al Gore documentary on global warming, An Inconvenient Truth. As a performer and songwriter, Etheridge has shown herself to be an artist who has never allowed “inconvenient truths” to keep her down. Earlier in her recording career, Etheridge acknowledged her sexual orientation when it was considered less than prudent to do so. In October 2004, Etheridge was diagnosed with breast cancer, a health battle that, with her typical tenacity, she won. Despite losing her hair from chemotherapy, Etheridge appeared on the 2005 Grammy® telecast to sing “Piece of My Heart” in tribute to Janis Joplin. By doing so she gave hope to many women afflicted with the disease.
On October 7, 2016 Melissa Etheridge released Memphis Rock & Soul, her first album since 2014’s critically lauded This Is M.E. Recorded at Royal Studios in Memphis, the album received stellar reviews from the likes of Entertainment Weekly, Parade, Rolling Stone, American Songwriter and more. She followed that up with the release of The Medicine Show in April, 2019. For The Medicine Show, Melissa reunited with celebrated producer John Shanks and sounds as rousing as ever, bringing a new level of artistry to her 15th studio recording.
In June of 2020, Etheridge launched The Etheridge Foundation to support groundbreaking scientific research into effective new treatments for opioid use disorder. The Foundation works towards advancing treatment approaches that address the root causes of opioid abuse and make available better, more effective solutions for people to truly heal their opioid use disorder.
In 2021, Melissa returned with then album One Way Out. The 9-track album is a collection of songs Etheridge wrote in the late ‘80s and early ‘90s that never made the cut….until now! The time was finally right, and fans finally got a deeper glimpse to who Melissa was then.
October 2022 saw Melissa’s return to the theatre with her one woman show, My Window – A Journey Through Life. The critically acclaimed, sold-out run premiered at New World Stages on October 13 and opened at Circle In the Square Theatre on Broadway in September 2023.
2024 saw Melissa release Melissa Etheridge: I’m Not Broken, a two-part docuseries (Paramount+) and accompanying live album. Recorded live within the grounds of the Topeka Correctional facility the album and two-part docuseries follows her journey both penning and performing an original song inspired by her correspondence with residents of the TCF and features raw and rousing versions of specially curated fan favorites and original songs.
THE BELLAMY BROTHERS: THE LOVE STILL FLOWS…
Howard and David continue to prove that the trail they’ve ridden to fame has been as unique as their music itself—music that is now celebrating over 40 years of success.
The road that started on the pop music charts in the ‘70’s, took a winding turn into country music in the ‘80’s, paving the way for duos to come, such as Brooks & Dunn, Montgomery Gentry, Big & Rich and previously—The Judds. But before the road forked into country, the musical odyssey of brothers Bellamy started creatively smoldering in their home state of Florida, before exploding nationally amidst the ’70’s pop music culture of L.A.
The brothers first official gig was in 1968, playing a free show with their father at the Rattlesnake Roundup in San Antonio, Florida. They honed their early skills playing Black clubs throughout the south, and singing backup for artists such as Percy Sledge, Eddie Floyd and Little Anthony & The Imperials. Within a few months, the brothers moved north, immersing themselves and their rock/country sound in the Atlanta market, where the Allman Brothers were the emerging kings of the music world.
With the dawning of the Age of Aquarius on the horizon, and America embroiled in a smoke haze of drugs, civil unrest and an unpopular war, The Bellamy's music picked-up the hard driving edge that bespoke the times. Songwriting had become David Bellamy’s drug of choice during the long road gigs he and Howard were regularly pulling bodies and equipment to and from. It was his songwriting that was posed to soon provide the duo a national breakout.
The break came in the form of the hit, “Spiders & Snakes,” written by David and recorded by Jim Stafford. The song became a smash, eventually selling more than three million units worldwide. It became the catapult that rocketed the brothers onto the L.A. music scene. Young and impressionable, Howard and David fell into the musical circle of the greats of the day: Bob Dylan, James Taylor and Van Morrison, as well as West Coast based country rockers like Poco and the Byrds.
It was a creative shoe that fit.
Now known by their music and the company they were keeping, The Bellamys officially lifted off the launch pad in 1976 when their single, “Let Your Love Flow,” became an instant smash in both the U.S. and Europe. It stayed on the international charts long enough to build a huge international fan base for the hip young brothers that endures to this day. In Germany alone it perched at No. 1 for more than two months. The love was indeed flowing as The Bellamys jammed for audiences on their sold-out concerts and shared stages with the likes of Loggins & Messina, the Doobie Brothers and the Beach Boys with their patented blend of rock/country music. True to their musical roots, their style and their songwriting was moving steadily more towards their raising.
By the late ‘70’s The Bellamys were emerging on the country charts with another bona fide smash. “If I Said You Had A Beautiful Body (Would You Hold It Against Me),” originally scrawled on a dinner napkin by David, rocketed them to the top of the country charts the way “Let Your Love Flow,” had done in the pop market just a few years earlier. It proved to be the first of a string of fourteen No. 1 singles in the U.S. alone.
Success followed success: “Dancing Cowboys,” “Sugar Daddy,” “You Ain’t Just Whistlin’ Dixie,” “Lovers Live Longer,” “Do You Love As Good As You Look,” “Redneck Girl,” “For All The Wrong Reasons,” “I Love Her Mind,” “I Need More Of You,” “Old Hippie,” “Too Much Is Not Enough,” “Kids Of The Baby Boom,” “Reggae Cowboy” and “Crazy From The Heart,”…all have lined the corridors of the Bellamy’s musical history and their walls with platinum and gold.
Along the way, Howard and David created a patent on the newly cool “duo” category in country music. In the era of the 2000’s, The Bellamy Brothers hold the record in both the Academy of Country Music (ACM) and the Country Music Association Awards (CMA) for the most duo nominations. Numerous GRAMMY nods have also been directed toward the brothers. Internationally, the story has been the same—though the titles may be different. The Bellamys have released more than two-dozen hit songs outside the U.S. that were never released here. With a sharp eye on the songwriting skills that have been the bedrock of their success, Howard and David concur that their career is unique in their international finesse for matching their songs to the market.
“For the international releases, you have to have a strong melody,” notes David. “The lyric is very important, but internationally the melody is something fans can lock into, even if they can’t understand the lyrics.” Howard and David continue to perform and film TV specials in Europe and around the world.
These days when the subject turns to touring, The Bellamys are showing a new generation of country music how it’s done. Country superstar Blake Shelton has helped introduce a new era of fans to the hits of The Bellamy Brothers during his annual Friends And Heroes Tour, where they continue to captivate arena audiences around the country. “We’re old road dogs,” grins Howard when asked about the motivation behind the brothers 200 plus concert dates each year. Adds David: “Our live draw is bigger than it was in the ‘80’s. I think the same people that grew up with us and with our music in the ‘60’s and ‘70’s obviously have raised a whole new generation of Bellamy fans who started toddling to our music. Now they’re turning up at our concerts as college kids, who are really turned on and tuned in to us and our music….it’s a great feeling.”
On the infrequent off days from the road, Howard and David head the bus back to their 150-acre family ranch in Darby, Florida just north of Tampa. A working ranch, the spread consists of Purebred Brahman Cattle and quarter horses. The Bellamys are opening up their lives to television audiences with their hit reality show “Honky Tonk Ranch.” Each episode of “Honky Tonk Ranch” enthralls viewers with the unpredictable misadventures of the Bellamys attempting to balance their globe-trotting touring schedule while also running their sprawling family ranch in south Florida. The show was originally broadcast on “The Cowboy Channel” (a subsidy of RFD-TV) and streamed around the world. Season two of “Honky Tonk Ranch” airs now on Thursday evenings at 8:30 p.m. ET on the Circle Network and will also be available for worldwide streaming in the very near future.
The Bellamy Brothers celebrated their 40th anniversary with the release of a two-CD collection, 40 years, an ambitious project containing 20 of their biggest hits and 20 brand-new songs. In 2019, the Bellamys released Over the Moon as well as their first book Let Your Love Flow – the Life and Times of The Bellamy Brothers. The book is about two Florida cowboys who journeyed from country poverty to worldwide musical stardom because they had the talent and because it never occurred to them, they couldn’t make it.
Their most recent project, Bucket List, debuted in July of 2020 with “Rednecks (Lookin’ for Paychecks),” a timely take on the current situation, leading the EP. Bucket List also includes “No Country Music For Old Men,” a collaboration with longtime friend John Anderson inspired by the loss of Kenny Rogers, and more light-hearted songs like “Lay Low, Stay High,” which ties into Howard and David’s recent partnership with the Florida-based medical marijuana company, Trulieve, on their flower product line Old Hippie Stash.
Lake Street Dive have pushed the possibilities of pop music as a unifying force, not only through their eclectic sound— a boldly original cross-pollination of soul, folk, jazz, classic pop, and more—the five-piece’s all-embracing ethos has also made them a beloved live band known for building a potent connection among every crowd. In the making of their GRAMMY-nominated album Good Together, vocalist Rachael Price, bassist/background vocalist Bridget Kearney, drummer/background vocalist Mike Calabrese, keyboardist/vocalist Akie Bermiss, and guitarist/background vocalist James Cornelison reinforced the deep sense of purpose behind their output, often turning their attention to the many factors driving us apart today (e.g., unchecked technological growth, culturally imposed isolation, the cult of relentless self-optimization). Born from a mindset they refer to as “joyful rebellion,” Good Together arrives as a body of work both gloriously defiant and primed to inspire unbridled dancing and ecstatic singing-along.
The follow-up to 2021’s Obviously, Good Together finds Lake Street Dive working again with Grammy-winning producer Mike Elizondo (Fiona Apple, Sheryl Crow, Gary Clark Jr.). With its sonic landscape encompassing everything from R&B to funk to Brazilian pop, the album opens on its title track: a left-of-center love song celebrating the thrill of defying expectation and following your heart’s desire. Next, on “Dance with a Stranger,” Lake Street Dive once again prove their undeniable gift for crafting feel-good songs with an illuminating message, simultaneously inducing a carefree euphoria and gently fostering empathy. The wildly cathartic “Walking Uphill” presents gripping meditation on the work of self-repair, while “Seats at the Bar” puts a sweetly playful twist on the classic love song. And on “Twenty-Five,” Price shares a stark and lovely ballad steeped in tender reminiscence of a long-ago romance. All throughout Good Together, Lake Street Dive tap into the palpable camaraderie that’s fueled the band since their formation, ultimately delivering their most collaborative, expansive, and powerfully exuberant work to date.
“There is a strict 4 ticket limit per show. Additional orders exceeding the ticket limit may be canceled without notice. This includes orders associated with the same name, e-mail address, billing address, credit card number, and/or other information.”
Lake Street Dive has partnered with PLUS1 so that $1 from every ticket sold goes to supporting organizations at the intersection of civil liberties, voting rights, and enviromental protection, as well as to Hurricane Melissa relief efforts via the PLUS1 Rapid Relief Fund.
Ben Folds
Ben Folds is an Emmy-nominated singer-songwriter who has created an enormous body of
genre-bending music that includes pop albums with Ben Folds Five, multiple solo albums, a
holiday album, and numerous collaborative records.
He currently tours as a pop artist, while also performing for over two decades with some of the
world’s greatest symphony orchestras.
Folds, who served for eight years as the first ever Artistic Advisor to the National Symphony
Orchestra (NSO) at the Kennedy Center in Washington, DC, stepped down from his post when
Donald Trump announced his takeover of the Center. On October 25 and 26, 2024, just days
before the US presidential election, Folds recorded two sold out performances with the NSO
which he released as a live album in July which debuted at the top of the Billboard classical and
classical crossover charts.
A New York Times Best Selling author, Ben also creates new music for film, tv and theatre, with
original new music he composed to be featured in an animated Peanuts special airing this
summer on Apple TV.
In 2022, he launched a music education charitable initiative in his native state of North Carolina
entitled “Keys For Kids,” which provides funds and keyboards to existing nonprofits that offer
free or affordable piano lessons to school-age children from economically-disadvantaged
households. For the past 15 years he has been an outspoken advocate for arts funding, music
education and music therapy in the US as a member of Americans For The Arts and the Arts
Action Fund.
Acclaimed TV late night show host, admired stand-up comedian, best-selling children’s book author, much-in-demand corporate speaker, TV and movie voice-over artist, pioneering car builder and mechanic, and philanthropist…Jay Leno is widely characterized as “the hardest working man in show business.”
Jay Leno’s late night television ratings domination included two decades as the host of the #1- rated “The Tonight Show with Jay Leno” –after the first two years Jay Leno never lost a single ratings year in which he served as host.
Leno currently produces and is host of the CNBC primetime series JAY LENO’S GARAGE now in its seventh season. The new season premieres Wednesday, September 7 at 10pm ET/PT on CNBC (Wednesdays at 10pm ET/PT). “Jay Leno’s Garage” explores the world of cars, never forgetting that it’s the people behind the wheel who provide the real stories. The series debuted in October 2015 and delivered CNBC’s most-watched first season in network history.
The show is an outgrowth of JAY LENOS GARAGE YOUTUBE CHANNEL which Leno produces and has an international following on the Web and has garnered several Emmy Awards and nominations for Outstanding Special Class–Short-Format Nonfiction Programs.
His new product line JAY LENO’S GARAGE ADVANCED VEHICLE CARE launched in December of 2016 and has been well received by the Automotive Industry worldwide.
Products are available on www.lenosgarage.com.
Jay Leno is currently hosting “YOU BET YOUR LIFE” and completed the second season returning in syndication in Fall 2022. This comedy game show is co-hosted by Jay’s longtime Tonight Show bandleader Kevin Eubanks and features strangers teaming up to answer a series of trivia questions with the goal of winning thousands of dollars.
When he’s not on TV, Leno performs more than 100 stand-up shows annually across the country and internationally; participates in numerous charity and corporate events, does voice-overs for animated series, pens children’s books, and writes a monthly column in various automotive magazines. And in his “spare” time (as if he has any), he enjoys working on his collection of classic cars and motorcycles. In fact, he has built a number of cars, including an acclaimed eco- car in his eco-friendly green garage.
Leno is the recipient of many honors, including Emmy, People’s Choice, and TV Guide awards, Harris Poll selection as most popular star on television, the Hasty Pudding Award at Harvard University, The Mark Twain Prize, recipient of the Patriot Award given by the Congressional Medal of Honor Society, a star on Hollywood’s Walk of Fame, and being the first person to drive the pace car of all major NASCAR events.
He and his wife Mavis, an ardent human rights activist, live in Los Angeles.
The Wallflowers Announce 30th Anniversary Tour for Bringing Down the Horse
The Wallflowers will mark the 30th anniversary of their landmark album Bringing
Down the Horse with a nationwide U.S. tour kicking off April 17, 2026. The band
will perform their classic album in its entirety, in sequence. The tour will also
include a performance at Stagecoach, the world’s largest country music festival.
Originally released on May 21, 1996, Bringing Down the Horse was a critical and
commercial triumph. The album peaked at number four on the Billboard 200 and
was certified quadruple platinum, cementing the band’s place in ‘90s rock history.
The LP yielded four hit singles:
• “6th Avenue Heartache” – Two Grammy nominations (1997)
• “One Headlight” – Reached #1 on the Billboard singles chart, winning two
Grammy Awards (1998). The songranked #58 on Rolling Stone’s “100
Greatest Pop Songs”
• “The Difference” – Grammy nomination (1998)
• “Three Marlenas” – Released as the album’s final single in October 1997
Influenced by a slew of first-generation American songwriters including The Band
and Tom Petty & the Heartbreakers, The Wallflowers will also pay tribute on the
upcoming tour to the 50th anniversary of Tom Petty & the Heartbreakers’ by playing
Petty’s 1982 album Long After Dark in its entirety and in sequence as well.
Jakob Dylan, the band’s chief songwriter, remains a vital performer in American
rock music. As part of three decades of work, in 2002, he inducted Tom Petty into
the Rock n Roll Hall of Fame. In 2018, he performed in the critically acclaimed
documentary Echo in the Canyon, collaborating with artists ranging from Neil
Young and Eric Clapton to Beck, Cat Power, Norah Jones, Regina Spektor.
Dylan also contributed songs to several soundtracks, including The Wallflowers'
cover of "Heroes" for the 1998 Godzilla film soundtrack and "Arms of a Ghost" to
television series, NCIS Los Angeles and "Nothing But the Whole Wide World" to
Friday Night Lights. In 2025 The Wallflowers supported Eric Clapton on his US
tour as they have done in the past for him as well as the supporting performances for
the Who and The Rolling Stones.
For tour dates, tickets, and additional updates, visit www.wallflowersmusic.com.
In February of 1974 Asleep at the Wheel made the move from the Bay Area to Austin, Texas. After playing the Armadillo World Headquarters with Commander Cody and his Lost Planet Airmen in 1973 – and receiving encouragement from Willie Nelson and Doug Sahm to relocate – the band settled in and made Austin their home, where they remain 50 years later.
“Austin was and has been everything I could have ever wished for and more,” says Ray Benson, the band’s leader and only original member. “It’s been 55 years for AATW as a band, and 50 of them have been spent in Texas. We are known worldwide for being a Texas band and playing Texas and Western Swing music. It brings us great pride to carry this torch and responsibility. We don’t take it lightly!”
Asleep at the Wheel’s lineup is ever changing. Since 1970 the band has had over 100 members come through. In the past, when a new member or two has joined a new album has emerged. In 2025 that still remains true. “We had some more line up changes after the pandemic and our 50th anniversary tour,” says Benson. “We had some folks who had been with us for a while move on. But, like always, we kept playing live shows and searching for the next members to identify themselves – here we are!”
One key and important role in Asleep at the Wheel and in Texas and Western Swing music is the fiddle. “It’s crazy to think that Ian Stewart, our newest vocalist and fiddler, grew up five minutes away from my house and that had nothing to do with the reason he is in the band,” says Benson. “Ian had a residency at the Broken Spoke as his own act. Danny Levin, who was there at the start of AATW in West Virginia and was in the band through the 70’s and early 80’s, had a relationship with Ian and a group with him and suggested him for the gig. Danny’s word was enough for me – he knows the gig as much as anyone.”
“Having grown up in Austin, Texas, Asleep at the Wheel is a name that has always commanded respect and it’s an honor to join their ranks,” says Stewart. “It’s an invaluable education working with a team that brings a fresh twist to the traditional music that I love and grew up listening to. I feel lucky every time I step on stage – it’s a ride I’m thankful to be on.”
David Nail’s candor cuts like a laser through star-making propriety, a ritual of predictable answers to predictable questions, recited by artists averse to the controversy that truth can bring.
True, he is respected up and down and beyond Music Row. He’s written or co-written multiple hits. Critics laud his singing too: The late, revered Chuck Dauphin, for one, marveled at Nail’s ability to turn an “ordinary lyric and arrangement” into a “tour de force,” adding, “simply put… he is not one of us.”
So he’s got rock-solid credentials. And he earned them despite a refusal to present himself in a false light. His songs pull no punches in evoking the demons with which he has wrestled through much of his life. As Nail explains, it’s not so much an act of courage to write about depression and its effects. Rather, it is simply who he is; he says, in conversation and through music, what he must say.
In Nail’s own words, “My philosophy has always been, I just hope to have a good enough year that I can have a next year while staying as true to myself as I possibly can.”
The Reverend Peyton’s Big Damn Band has performed in 38 countries and 48 states. They have been featured in Rolling Stone Magazine, Living Blues, Elmore, donned the cover of Vintage Guitar Magazine, had #1 records on the Billboard Blues Charts, and have been nominated for three Blues Music Awards by the Blues Foundation in Memphis. The Indianapolis Star listed Reverend Peyton as one of the top 25 Hoosier musicians of all time.
Maybe you found the band because of virtuosic guitar playing? Maybe you came for the tent revival style live show? The reasons that brought you here could be extensive, but the reasons that keep bringing people back are HEART. Real, from the heart, music made by people who love music. The Sacramento Bee said, “It’s a group with boundless stockpiles of heart to spare — it cascades throughout every slip-n-slide vintage blues/soul ditty they tear through and croon in every show they play, and they always leave a little behind. The front porch is the church, the church is the dance hall and the dance hall is the river bank — your knees will fail you by the time you figure it all out.”
Often called, "the greatest front-porch blues band in the world" the Big Damn Band is led by Reverend Peyton, who is considered to be the premier finger pickers playing today. Rev has earned a reputation as both a singularly compelling performer and a persuasive evangelist for the rootsy, country blues styles that captured his imagination early in life and inspired him and his band to make pilgrimages to Clarksdale, Mississippi to study under such blues masters as T-Model Ford, Robert Belfour and David “Honeyboy” Edwards. Accompanied by Rev’s wife, the washboard virtuoso, Washboard Breezy Peyton, and kept on time by the deep rhythms of Jacob “The Snakob” Powell, Reverend Peyton’s Big Damn Band will leave you clapping, stomping, and singing along every handmade show across the world. Their latest record Dance Songs For Hard Times went #1 on the Billboard, iTunes and Sirius XM Blues Charts and was produced by Grammy winner Vance Powell (Jack White, Chris Stapleton). The record is critically acclaimed by Rolling Stone, Relix, Popmatters, Guitar World, American Songwriter, No Depression, Glide, Wide Open Country, Paste, American Blues Scene and many more.
Punch Brothers, formed in 2006, are a virtuosic quintet featuring mandolinist ChrisThile, guitarist Chris Eldridge, bassist Paul Kowert, banjoist Noam Pikelny, and violinist Brittany Haas.Known for pushing the boundaries of acoustic music, the band has garnered critical acclaim, including a Grammy for Best Folk Album for All Ashore (2018). The Washington Post applauded them for taking “bluegrass to its next evolutionary stage, drawing equal inspiration from the brain and the heart.” Over the years, they’ve become pioneers in modern string music, with albums like Antifogmatic (2010), Who’s Feeling Young Now (2012) and The Phosphorescent Blues (2015) showcasing their genre-defying sound. Rolling Stone praised their work as “wild virtuosity used for more than just virtuosity,” cementing their reputation as trailblazers in contemporary acoustic music. Most Recently, Punch Brothers have been focused on their new musical variety show, “The Energy Curfew Music Hour,” withseasons one and two available on Audible and all podcasting platforms.
Punch Brothers have partnered with PLUS1 so that $1 per ticket goes to supporting organizations working for equity, access, and dignity for http://www.plus1.org/
NASHVILLE, Tenn. - (August 9, 2025) – Multi-Grammy® Award winning Kathy Mattea was invited to become a member of the Grand Ole Opry tonight by Opry member Charlie McCoy. The four-time CMA Award winner, longtime Opry favorite, and host of the popular “Mountain Stage” radio show will officially join the Opry family on Saturday, October 11. Tickets are on sale now for the two-show Saturday night.
Mattea’s long-time friend and fellow West Virginian, McCoy surprised her onstage turning off her speaker during her performance of her award-winning hit “18 Wheels and A Dozen Roses”. A surprised Mattea said, “Oh…Charlie, you just turned my speaker off!” McCoy replied, “I’m so sorry to interrupt” as he presented her with a dozen roses. “I want to ask you a question,” McCoy continued. “How would you like to be the next member of the Grand Ole Opry?” An emotional Mattea immediately answered, “Yes, yes, yes, yes, yes, and thank you!” As the audience rose to its feet, Mattea soaked in what had just happened, sharing, “I just want to take this in and just remember this moment.”
“Oh my, I’m here to tell you, I will not forget this night. Ever. Ever. Ever,” Mattea concluded before inviting McCoy to join her on “18 Wheels And A Dozen Roses.”
Rescheduled from 12/20/25, due to a medical situation within the band, we are proud to announce the new date of July 11th, 2026. Tickets purchased for the Dec.20th show are good for the rescheduled show, but if you can't make the new day you have until Feb.3rd to request a refund.
Celebrating their 30th anniversary in 2025, Zoso has become one of the most iconic and respected Led Zeppelin tribute experiences in the world, having played over 4,800 shows across the globe. Known for their unparalleled dedication to faithfully recreating the legendary band's live performances, Zoso has earned accolades from both critics and fans alike.
The band was founded by Matt Jernigan and Adam Sandling, both of whom are renowned for their exceptional musicianship and passion for Led Zeppelin's music. Jernigan, who takes on the colossal role of Robert Plant, has a commanding stage presence that rivals the icon himself. Sandling, who brings John Paul Jones to life, masterfully plays bass, keyboards, and mandolin, replicating the multifaceted talent of the Zeppelin legend.
In 2015, Bevan Davies joined Zoso as John Bonham, completing the lineup. An accomplished drummer with a resume that includes playing with Danzig, Jerry Cantrell (of Alice in Chains), Static X, and Billy Duffy (of The Cult), Davies brings an unmistakable power and precision to Zoso’s live shows, helping the band recreate Bonham’s legendary drum sound.
Zoso’s live performances focus on the raw energy and intricate musicality of Led Zeppelin’s best-known hits and deeper tracks, with a particular emphasis on recreating their live show experience. The band’s commitment to authenticity has earned them praise from major outlets, with the LA Times calling them “head and shoulders above all other Led Zeppelin tributes,” and the St. Petersburg Times describing them as “the most exacting of all the Led Zeppelin tributes.”
With over 30 years of music history behind them, Zoso continues to be regarded as one of the finest Led Zeppelin tributes, with the Chicago Sun-Times calling them “the closest to the original of any Led Zeppelin tribute.” Whether you're a lifelong fan of Led Zeppelin or discovering their music for the first time, Zoso delivers an unforgettable experience that takes you back to the glory days of rock and roll.
Stewart Copeland - Have I Said Too Much
Stewart Copeland, world famous drummer, founder of the most successful rock band of the 1980’s, The Police, composer of film scores, video games and operas, multi Grammy winner and Rock and Roll Hall of Famer, writer and filmmaker, is heading out on his first American spoken-word tour, to talk about it alli in his usual funny, intelligent, sharp and unique way.An evening of conversation, with photos, videos and a Q&A.Stewart Copeland’s“Have I Said Too Much-The Police, Hollywood, and other adventures”
WEB LINKS:
● Website: https://www.stewartcopeland.net
● Facebook: https://www.facebook.com/StewartCopeland/
● Instagram: https://www.instagram.com/stewart_copeland/
DTB offers everything you want in a roots band — songs that matter, a groove that makes you dance, an audience that spans generations, and a musical voice that evokes a sense of community. Dance in the Street, their first new album in five years, captures the dynamic energy that has earned the band the love and respect of their fans, “the Herd”, for thirty years.
Donna The Buffalo is well known for their lyrics about human potential and community. Throughout Dance in the Street, Jeb Puryear and Tara Nevins, the band’s co-founders, share songs of social commentary and self empowerment. “We feel the album provides an enjoyable ride between the general and the personal, from both male and female perspectives,” says Puryear.
Puryear took it upon himself to write a topical song after a friend slyly commented, “We could use some songs like you used to write.” That off-handed remark led directly to “Dance in the Street,” which falls somewhere between Bob Dylan and Bob Marley.
Get ready for an evening of sidesplitting laughter as Colin Mochrie and Brad Sherwood, the dynamic duo from TV's "Whose Line is it Anyway?," take the stage in a one-night-only uproarious live show, Colin Mochrie & Brad Sherwood: Asking for Trouble.
Armed with their lightning-fast wits, Mochrie & Sherwood transform the audience’s suggestions into an unpredictable evening of non-stop comedy gold. No script? No problem! “Asking For Trouble” is a wild rollercoaster ride of hilarity, where two improv legends prove they are still the best in the business.
Choir! Choir! Choir!
“Why see a show when you can BE the show!?”
Choir! Choir! Choir! is the fully interactive, participatory show that turns audience into performer! So get ready to laugh, dance and SING! your hearts out with hundreds of other music-lovers just like you. It’s like a big birthday party for the greatest songs of all time and you’re invited!
So grab a friend (or ten), and come out ready to GIVE IT ALL YOU’VE GOT! - all voices welcome, no experience necessary. They Teach, You Sing! Everyone Wins!
This time, Choir!Choir!Choir! Presents: Landslide: An EPIC Fleetwood Mac Sing-Along
Nothing feels better than belting out song like these with a room full of Fleetwood Mac fans! Channel your inner Stevie Nicks, grab your best friends and frenemies, and create harmonies that you won’t believe! Landslide: An EPIC Fleetwood Mac Sing-Along will be the most fun you’ve had in years…
Since 2011, Choir! Choir! Choir! directors Daveed Goldman + Nobu Adilman have blurred the lines between performer and audience, traveling the world to create harmony with strangers and friends alike. They’ve collaborated with renowned artists like Patti Smith, David Byrne, Brandi Carlile, Rick Astley, Rufus Wainwright, and even Kermit The Frog at New York’s Lincoln Center, creating memorable videos that have garnered views in the millions. Now it’s your turn to SING!, so grab your friends, get your tickets and we’ll C! you there! #NeverStopSinging
Social Links -
Trae Crowder first gained international attention (or notoriety depending on your politics) in 2016 for his hugely viral series of “Liberal Redneck” comedic “porch rant” videos. Since then, Trae has written a best-selling book, The Liberal Redneck Manifesto: Draggin Dixie Outta The Dark, toured the country thrice over playing sold out theatre shows under the WellRED Comedy Tour banner, appeared on Real Time with Bill Maher (HBO), Nightline (ABC), The View, Last Word with Lawrence O'Donnell (MSNBC),
NPR, WTF with Marc Maron, MTV, CNN, Huffington Post and in the Veronica Mars reboot, as “Chattanooga Charlie”, among many others.
Initially from rural Celina, TN, Trae now lives in Los Angeles, CA and has developed and sold five scripted pilots for Warner Bros TV, ABC, and FOX and continues to work as a writer. Trae stars in and produces regular sketches for Comedy Central, Funny or Die, ATTN, Facebook Watch, New York Daily News which have garnered tens of millions of views online. Crowder also co-wrote and produced an hour-long documentary titled Inherent Good, featuring Crowder and former presidential candidate Andrew Yang, about universal basic income.
Additionally, Trae co-hosts the hugely popular “WellRED,” “Evening Skews” and “Puttin’ On Airs” podcasts. His debut 30-minute standup comedy special was taped in 2021 in Nashville, TN and his latest full-length special “Trash Daddy” is available now on YouTube. He also continues to rant and rave on theinternet to the mostly-delight of his lovely fanbase.