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Take a journey back in time to the life and music of “The Man in Black” performed by Cash Unchained. The band has been nationally sought after while touring all over US bringing the sights and sounds of the legendary Johnny Cash.
Johnny Cash may not have been the greatest singer or musical technician, but his sound was unforgettable. Steady like a train, sharp like a razor, with the perfect blend of country, rock ‘n’ roll, and folk music, Cash paved the way for artists of all genres for years to come. Without Johnny Cash, we wouldn’t have some of the finest music we’ve all enjoyed over the past 6 decades. Performed by some of the finest musicians in the state of Virginia, James Tamelcoff III captures Cash’s trademark baritone voice, while his band delivers the infectious, driving rhythm of the Tennessee Three.
For The Outlaws, it’s always been about the music. For more than 40 years, the Southern Rock legends celebrated triumphs and endured tragedies to remain one of the most influential and best-loved bands of the genre. Today, The Outlaws have returned with new music, new focus and an uncompromising new mission: It’s about a band of brothers bound together by history, harmony and the road. It’s about a group that respects its own legacy while refusing to be defined by its past. But most of all, it’s about pride.
It’s About Pride was also the title of the band’s acclaimed 2012 album, universally hailed as their victorious comeback. “Because The Outlaws had been out of the public eye for so long, it was almost like starting over,” explains founding singer/songwriter/guitarist Henry Paul. “But because of the band’s history, we dig deeper, write better, perform stronger. Everything we do is to reinforce the notion that The Outlaws still matter, and that Southern Rock will always matter. It’s a message we’re proud to bring into the 21st century.”
History lesson: Formed in Tampa in 1972, The Outlaws – known for their triple-guitar rock attack and three-part country harmonies – became one of the first acts signed by Clive Davis (at the urging of Ronnie Van Zant) to his then-fledgling Arista Records. The band’s first three albums The Outlaws, Lady In Waiting and Hurry Sundown – featuring such rock radio favorites as ‘There Goes Another Love Song’, ‘Green Grass & High Tides’, ‘Knoxville Girl’ and ‘Freeborn Man’ – would become worldwide gold and platinum landmarks of the Southern Rock era. Known as ‘The Florida Guitar Army’ by their fans, The Outlaws earned a formidable reputation as an incendiary live act touring with friends The Allman Brothers, Lynyrd Skynyrd, The Marshall Tucker Band and The Charlie Daniels Band as well as The Doobie Brothers, The Who, Eagles and The Rolling Stones. Henry Paul left after the group’s third album to form The Henry Paul Band for Atlantic Records, and later co-founded the multi-Platinum country trio Blackhawk. Over the next 20+ years, The Outlaws would experience rampant personnel changes, tonal missteps, ill-fated reunions and bitter trademark battles that left fans, not to mention Paul, frustrated and saddened. And with the tragic deaths of co-founding members Frank O’Keefe and Billy Jones in 1995 and songwriter/vocalist/lead guitarist Hughie Thomasson in 2007, it was feared that The Outlaws’ trail had come to an end.
When Henry Paul took leadership of the band in 2008, he firmly put The Outlaws back on a path both trusted and celebrated by longtime fans. “Audiences discovered that The Outlaws have something to say that is as engaging as when we began,” says Paul, “which is why every night when we perform, we give nothing less than everything we’ve got.” Along with founding member Paul, the band features several of Southern Rock’s most respected players: Keyboardist/vocalist Dave Robbins is a co-founding member of Blackhawk and has written hit songs for artists that include Restless Heart, Kenny Rogers and Eric Clapton. Longtime Outlaws’ bassist/vocalist Randy Threet has performed with Trisha Yearwood, Pam Tillis and Blackhawk, and is familiar to TV audiences from USA Network’s ‘Nashville Star’. Co-lead guitarist and vocalist Jimmy Dormire brings a wealth of experience and has performed with Col. Bruce Hampton and Confederate Railroad. Drummer Mike Bailey who replaced beloved co-founder/drummer Monte Yoho in 2019 – has played with BlackHawk and Adam Craig, and vocalist and co-lead guitarist Jeff Aulich has brought new fire to the band’s harmony arrangements and six-string pyrotechnics. “Today, we write about the things that collectively mean something to us and play like a band half our age,” Henry says. “When you still have the reason and ability to do that, you can reiterate your position as a significant creative force.”
As live performers, the band burns hotter than ever. “The Outlaws helped define Southern Rock for me and for generations of fans,” wrote music journalist Bill Robinson in The Huffington Post. “Seeing them onstage with The Charlie Daniels Band, Marshall Tucker Band, Allman Brothers, Lynyrd Skynyrd or countless others was, for a long time, one of the best experiences I could have. And so it was again when I saw The Outlaws play recently.” The band’s concerts – vividly captured in their 2016 double album Legacy Live – are blazing 2+ hour tributes to the band’s rich history and fiery rebirth. Classic tracks and fan favorites from the first three albums – as well as The Henry Paul Band’s definitive ‘Grey Ghost’ – share the spotlight with songs from It’s About Pride and 2020’s acclaimed Dixie Highway that have been enthusiastically embraced by audiences. “I think our new material goes back to those first three classic albums, when the band was proud of its influences from country, blues and jazz,” says Paul. “Plus, Dale and Jeff have honored and maybe even stepped up the legacy of the ‘guitar army’. Our goal is to unite the fans and bring the band back into the light. It’s about finishing what we started.” For Henry, Dave, Randy, Dale, Jaron and Jeff, it’s also about a band of brothers who love playing their own brand of rock, and who 40+ years ago first got the chance to share it with to the world.
For The Outlaws, it’s still about the music. And now more than ever, it’s about pride.
While Country Rock phenom and Gattman, Mississippi, native Colin Stough is only knocking on the door to his twenties, he has traversed a long journey in a few short years – starting with his debut EP Promiseland and follow-up EP Lookin’ For Home (expected July 12). After learning to play guitar at 8 years old, Stough first pursued his artistic dreams at 10, boldly trading childhood possessions for his first guitar at a local pawn shop – an instrument he still plays to this day. After graduating high school, the naturally gifted singer and self-taught songwriter began working full-time as an HVAC technician, before his mother convinced him to audition for American Idol. Impressing judges Luke Bryan, Katy Perry, and Lionel Richie, Stough stunned viewers and soon built a thriving fan base, finishing third on Season 21 of the show in 2023. He spent the ensuing months writing and recording original music, while also touring nationwide to put his blowtorch vocal and guitar-slinging edge on full display. After signing with 19 Recordings/BMG Nashville, his distinctive mix of Southern Rock distortion and pure-Country style has helped Stough’s music rack up more than 19.8 MILLION global on-demand streams. Stough has headlined across the country and opened for established artists like Chase Matthew, Kidd G, and Drake White.
For more than 20 years, BlackHawk has shared a unique sense of harmony with their voices, their songs and their fans. It’s a harmony that has sold over 7 million albums, scored some of the most distinctive country radio hits of the ‘90s, and still draws tens of thousands of fans to their electrifying live performances. Today BlackHawk continues to honor its past as it forges its future, and does it all with a commitment that takes their music – and the harmony – to a whole new level.
“When we started,” says BlackHawk co-founder & lead vocalist Henry Paul, “our individual careers as writers and performers gave us somewhat of a more creative sensibility. We were three guys whose goal was to approach country with smart songs and unique harmonies for people who may not automatically like country.” Paul had previously co-founded Southern Rock legends The Outlaws, as well as leading the popular ‘80s rockers The Henry Paul Band. Van Stephenson had mainstream pop success as an ‘80s singer-songwriter-guitarist (“Modern Day Delilah”). And Dave Robbins had written hits for Eric Clapton and Kenny Rogers while partnering with Stephenson to write a series of classic #1 hits for Restless Heart, including “The Bluest Eyes In Texas” and “Big Dreams In A Small Town”.
“Even though the three of us had a love and appreciation for traditional country music,” says Dave, “we knew we weren’t going to be that. Henry was coming from Southern Rock, Van & I were in Nashville, but were writing country songs with pop sensibilities. When it came to our vocals, we wanted the three of us to be up front in the choruses like Crosby, Stills & Nash or The Eagles. What set us apart from the very beginning musically was being true to who we were individually.”
BlackHawk’s 1993 self-titled Arista debut album launched with the smash single “Goodbye Says It All”, followed by the Top 5 hits "Every Once in a While", "I Sure Can Smell the Rain", "Down in Flames" and "That's Just About Right". The album soon certified Double-Platinum, and the band received an ACM nomination as Best New Vocal Group Of The Year. BlackHawk followed up with the hit albums Strong Enough, Love & Gravity and Sky’s The Limit, which collectively featured such hits as “I’m Not Strong Enough To Say No”, “Like There Ain’t No Yesterday”, “Big Guitar”, “Almost A Memory Now”, “There You Have It” and “Postmarked Birmingham”. It was an unprecedented run of hits for a band that never quite fit the standard country mold. “Getting a BlackHawk record on the radio was often a tough sell,” explains Henry, “for the same reason country radio rejected bands like The Mavericks, The Dixie Chicks and Alison Krauss. But we were committed to smart, strong songs whether they fit the format or not. And the fans responded.”
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A FEW WORDS FROM LOU MARESCA, LIVE AT THE FILLMORE’S FOUNDER:
The original Allman Brothers Band performed regularly at New York’s Fillmore East Auditorium run by legendary promoter Bill Graham and often referred to as the ‘church of rock and roll.’ The Allman Brothers Band played often enough at Fillmore East to be called ‘Bill Graham’s house band.’ It was here and at other New York metropolitan area venues like Passaic New Jersey’s Central and Capital Theaters, New York’s Central Park’s Schaefer Summer Concert Series where I and other members of LIVE AT THE FILLMORE first heard the Allman Brothers Band perform beginning in 1970. On June 26, 1971 I was at Fillmore East for the Saturday night late show, the last public concert at Fillmore East, the one the ABB band calls ‘THE SHOW,’ the one they feel is the greatest performance they ever gave. I’ve never heard them or any other band give a better performance before or since. Sadly, the next time I heard the band was a few months later at New York’s Academy of Music. It was without its leader, Duane Allman, who had died only weeks before in a motorcycle accident near his home in Macon, Georgia. His guitar was onstage on a stand and it was the most solemn rock concert I have ever attended. I had already formed ‘Skydog,’ what may have been the very first Allman Brothers tribute band earlier that year. These shows left an indelible impression on me and others in LIVE AT THE FILLMORE.
LIVE AT THE FILLMORE is the continuation of our devotion to performing the music of the original Allman Brothers Band as it was performed in those early years before the untimely deaths of Duane and Berry Oakley and the departure of Dickey Betts. For me, those years were the ‘glory days’ of the Allman Brothers Band. Unlike others who believe the band was a jam band, I share the view of Gregg Allman, who has been quoted as recently as 2003 by fellow band member Butch Trucks in stating that rather than being a jam band The Allman Brothers are “a band that jams”. My perspective on the music is that rather than free-form in its structure, form and content it is a body of work largely composed after much trial and error and ‘jamming’ in order to extract those elements which ultimately became part of the finished songs. Anyone like myself who had the good fortune to hear the Allman Brothers shows ‘back in the day’ on the same or successive nights will corroborate that though they did leave room for improvisation and personal expression, for the most part the songs remained the same. This has continued to be our approach to performing their music. Along with the other highly talented and committed musicians in LIVE AT THE FILLMORE, this is our attempt to bring back authentically the performances of the original Allman Brothers Band for those who were there to hear and still remember them along with those who have a similar love of this music and wish they had been there with us. We hope you enjoy listening to LIVE AT THE FILLMORE!
My best,
Lou
Even among the pantheon of music’s finest artists, Del McCoury stands alone. From the nascent sound of bluegrass that charmed hardscrabble hillbilly honkytonks, rural schoolhouse stages, and the crowning glory of the Grand Ole Opry to the present-day culture-buzz of viral videos and digital streams, Del is the living link. On primetime and late-night television talk shows, there is Del. From headlining sold-out concerts to music festivals of all genres, including one carrying his namesake, there is Del. Where audiences number in the tens of thousands, and admirers as diverse as country-rock icon Steve Earle and jamband royalty Phish count as a few among hundreds, there is Del.
Emerging from humble beginnings in York County, PA nearly eighty years ago, Del was not the likeliest of candidates for legendary status. As a teen, he was captivated by the banjo playing of one of its masters, Earl Scruggs, and decided he’d be a banjo picker, too. The Baltimore/Washington, D.C. bar scene of the early 1960s was lively and rough. Del caught a break. More than a break, really. It was an opportunity of a lifetime; joining Bill Monroe's Blue Grass Boys in early 1963. Considered the Father of Bluegrass, Monroe transformed McCoury, moving him from the banjo to guitar, anointing him lead singer, and providing him with a priceless trove of bluegrass tutelage direct from the source.
Countless hours of recording sessions and miles of tireless touring dotted the decades. Del carried on, and carried with him the hallowed traditions of the form and its dedicated following. The passing years became certificates of authenticity. So, in the sea of grunge and R&B that dominated the music scene of the mid-1990s, it was special, perhaps even startling, to see: There was Del.
Now helming the Del McCoury Band, with sons Ronnie and Rob, the ensemble did and continues to represent in a larger, growing musical community a peerless torchbearer for the entire sweep and scope of bluegrass history. Those many years, not to mention a good-natured willingness to stay alert to the latest sounds and opportunities around him, earned McCoury a whole new generation of fans, including some in unlikely places.
“I’m just doing what’s natural,” says Del. “When young musicians ask me what they should do I always tell them, ‘You do whatever’s inside of you. Do what you do best.’”
No surprise that contemporary, bluegrass-bred stars sang his praises; marquee names like Vince Gill and Alison Krauss (who first met Del at a bluegrass festival when she subbed for his missing fiddler). Yet, here too was rocker Earle recording and touring with the group. Here was Phish jamming onstage with the boys. Here was the band on TV, or headlining rock clubs and college campuses; the can’t-miss appearances at country and jazz festivals. There was Del.
“We don’t have a setlist,” says Del. “We try and work in the new songs, but a lot of times it’s just requests from the audience. It’s more interesting for the band, for me, and for the audience because nobody knows what’s coming next.”
Almost unimaginable, McCoury’s sixth decade in a half-century of bluegrass bliss brings new triumphs, new collaborations, and new music. With but a single change in membership in twenty seven years The Del McCoury Band shows unprecedented stability as well as garnering the respect and admiration of the industry for its unmistakable work: ten IBMA Entertainer of the Year trophies (most recently in 2024); in 2003, Del’s awarded membership in the cast of the legendary Grand Ole Opry; the band’s first Best Bluegrass Album Grammy award, in ’05, followed by a second Grammy win in 2014, (not to mention double-digit nominations).
“I know (having the same band) helped with my success. It keeps your sound constant,” says Del. “We really enjoy what we’re doing.”
The group traveled with the groundbreaking post-O Brother "Down From The Mountain" tour, and performed with Gill, recording on his Grammy-winning These Days, as well as country sensation Dierks Bentley. In addition to becoming something of a regular at the wildly popular Bonnaroo Music Festival, they’ve also curated and expanded Del’s annual namesake festival. One of the premier string-band events in the country, the multi-day, multi-stage DelFest showcases the new lions of the genre such as Billy Strings, Molly Tuttle, Greensky Bluegrass, The Infamous Stringdusters, and Old Crow Medicine Show, and legends like Ricky Skaggs, Sam Bush, and Bobby Osborne, plus a diversity of artists like Phish frontman Trey Anastasio and blues-rock veterans Gov’t Mule to Americana darlings The Wood Brothers and Rhiannon Giddens.
“DelFest is a great accomplishment,” says Del. “I never thought it would be as successful as it is.”
And, when Sony Music came calling, post-Hurricane Katrina, proposing a collaboration with New Orleans’ revered Preservation Hall Jazz Band, there was Del. If there was ever a collection of recordings confirming McCoury’s wide-ranging impact and spirit of musical comradery, it would be American Legacies. A wonderfully fulfilling cross-section of traditional bluegrass and the Dixieland pomp of New Orleans, the album typified the Del McCoury Band’s evolution from bluegrass vanguard to an American treasure.
“All music is related. Bill Monroe went to New Orleans and listened to jazz players. Earl Scruggs- some of the tunes he recorded were from New Orleans,” says Del. “It all fits together if you’re willing to be open-minded.”
And like any genuine treasure, the gifts keep coming. On their latest release, Songs of Love and Life, A glorious 15-song collection, the album follows 2021’s celebrated, Grammy-nominated release, Almost Proud, and once again features Del touching down on a diverse set of tracks--vintage and contemporary--as he and his crackerjack band nod to icons Kenny Rogers, Roy Orbison, and Elvis Presley, as well as welcome next-generation talent, Molly Tuttle, to the party. Across his six decades of making classic albums, Del knows what he’s looking for in a song. “I like a challenge. I’ve always liked a challenge,” says Del. “I like to learn different things. Doing the same things is boring to me.”
One listen and it’s clear as crystal. There is Del.
Corey Smith has amassed an unfailingly devout fan base, not only in his native Southeast region but all around the nation simply by telling it the way it is. He has released 11 albums—including 2011’s Top 20 release “The Broken Record”. In Summer 2015 Corey teamed up with producer Keith Stegall (Alan Jackson, Zac Brown Band) for his album “While the Gettin’ Is Good” released on Sugar Hill Records. Smith’s concerts, documented on his live records “Live in Chattanooga” and “Live From Buckhead”, regularly sell out with audiences singing along to such fan favorites as the coming-of-age anthem “Twenty-One”, the nostalgic time warp “If I Could Do It Again” and the group hug “I Love Everyone”. Corey has just released his new album titled “Suburban Drawl” produced by Erik Dylan. You can hear Corey’s new Single “Cellophane” along with the rest of the album now on all music platforms!
Over the past three decades, A.J. Croce has established his reputation as a piano player and vocal stylist who pulls from a host of musical traditions and anti-heroes — part New Orleans, part juke joint, part soul. From his 10 studio albums, it’s clear that he holds an abiding love for all types of musical genres: Blues, Soul, Pop, Jazz, and Rock n’ Roll. A virtuosic piano player, Croce toured with B.B. King and Ray Charles before reaching the age of 21, and over his career, he has performed with a wide range of musicians, from Willie Nelson to the Neville Brothers, to Béla Fleck and Ry Cooder. A.J. has also co-written songs with such formidable tunesmiths as Leon Russell, Dan Penn, Robert Earl Keen, and multi-Grammy winner Gary Nicholson. His albums have all charted on an impressive array of charts: Top 40, Blues, Americana, Jazz, College, and Radio 1. The Nashville-based singer/songwriter has landed 22 singles on a variety of Top 20 charts. His songwriting and style has evolved from Jazz & Blues on his debut and sophomore albums, to the roots-rock of the more recent collaborative recordings like Cantos with Ben Harper, Twelve Tales with Allen Toussaint, and Just Like Medicine with Vince Gill.
In her first 25 years alone, singer/songwriter/multi-instrumentalist Sierra Hull hit more milestones than many musicians accomplish in a lifetime. After making her Grand Ole Opry debut at the age of 10, the Tennessee-bred virtuoso mandolinist played Carnegie Hall at age 12, then landed a deal with Rounder Records just a year later. Now 28-years-old, Hull is set to deliver her fourth full- length for Rounder: an elegantly inventive and endlessly captivating album called 25 Trips.
Revealing her profound warmth as a storyteller, 25 Trips finds Hull shedding light on the beauty and chaos and sometimes sorrow of growing up and getting older. To that end, the album’s title nods to a particularly momentous year of her life, including her marriage to fellow bluegrass musician Justin Moses and the release of her widely acclaimed album Weighted Mind—a Béla Fleck- produced effort nominated for Best Folk Album at the 2017 Grammy Awards.
“There’s a lot of push-and-pull on this record, where in some moments I feel like everything’s happening so fast and I wish I could slow it all down so I can really enjoy it,” Hull points out. “But then there are also times where I’m looking forward to the day when the craziness has died down a bit, and life’s a little calmer.”
Made with producer/engineer Shani Gandhi (Kelsea Ballerini, Dierks Bentley, Sarah Jarosz, Alison Krauss), 25 Trips continues the musical journey begun on Weighted Mind, a body of work that built off Hull’s bluegrass roots and ventured into entirely new terrain. But while its predecessor assumed a sparse and stripped-back palette, 25 Trips embodies a far more intricately arranged sound—an effect achieved with the help of peers like guitarist Mike Seal, bassist Ethan Jodziewicz, violinist Alex Hargreaves, and fiddler Christian Sedelmyer, as well as several musicians that Hull has long admired (including bassist Viktor Krauss, guitarist Bryan Sutton, and multi-instrumentalist Stuart Duncan). Along with integrating electric instrumentation and percussion into her material for the first time, Hull dreamed up the album’s eclectic textures by embracing a free-flowing process that often gave way to lightning-in-a-bottle improvisation.
STEPHANIE LAMBRING
“I’m not afraid of the uncomfortable,” says Stephanie Lambring. “Oddly enough, I think you can actually find a lot of comfort in exploring it, in facing it head on and seeing it for what it really is.”
It’s that paradox that lies at the heart of Lambring’s stunning new record, Hypocrite. Recorded in Nashville with producer Teddy Morgan (Carl Broemel, Elise Davis), the collection is a remarkable work of self-reflection from an artist determined to know her truest self (and to help us find our own true selves in the process). The arrangements are lush and hypnotic here, with Lambring’s breathy vocals floating atop a sea of dreamy synthesizers and shimmering
guitars, and the writing is as raw and vulnerable as it gets, confronting everything from religion and trauma to body image and motherhood with unflinching honesty. The result is a record that lands somewhere between Phoebe Bridgers and Alanis Morrissette as it looks for the best by reckoning with the worst, an album full of love and grace and compassion that aims to remind us that imperfection and humanity go hand in hand.
“They say the things you dislike about yourself are the things you call out the most in other people,” Lambring explains, “and with this album, I wanted to see what would happen if I called myself out instead. I think there’d be a lot more harmony in the world if we could just own up to our own shortcomings and forgive ourselves in the process.”
Such deep and thoughtful reflection has been a hallmark of Lambring’s work from the very beginning. Born and raised in Indiana, she got her start in Nashville working as a songwriter on Music Row, but after five years of composing for other artists, she asked to be let go from her publishing deal and walked away from the music business entirely. Feeling adrift creatively, she picked up work waiting tables at a restaurant and quit writing for an entire year until a regular customer—legendary songwriter Tom Douglas—encouraged her to return to her craft, this time for herself.
“It felt like my creativity had been rehabbed during that time away from the music industry,” Lambring recalls. “Writing for myself allowed me to say what I wanted to say, to sing about what felt important to me, and that changed everything.”
THE BELLAMY BROTHERS: THE LOVE STILL FLOWS…
Howard and David continue to prove that the trail they’ve ridden to fame has been as unique as their music itself—music that is now celebrating over 40 years of success.
The road that started on the pop music charts in the ‘70’s, took a winding turn into country music in the ‘80’s, paving the way for duos to come, such as Brooks & Dunn, Montgomery Gentry, Big & Rich and previously—The Judds. But before the road forked into country, the musical odyssey of brothers Bellamy started creatively smoldering in their home state of Florida, before exploding nationally amidst the ’70’s pop music culture of L.A.
The brothers first official gig was in 1968, playing a free show with their father at the Rattlesnake Roundup in San Antonio, Florida. They honed their early skills playing Black clubs throughout the south, and singing backup for artists such as Percy Sledge, Eddie Floyd and Little Anthony & The Imperials. Within a few months, the brothers moved north, immersing themselves and their rock/country sound in the Atlanta market, where the Allman Brothers were the emerging kings of the music world.
With the dawning of the Age of Aquarius on the horizon, and America embroiled in a smoke haze of drugs, civil unrest and an unpopular war, The Bellamy's music picked-up the hard driving edge that bespoke the times. Songwriting had become David Bellamy’s drug of choice during the long road gigs he and Howard were regularly pulling bodies and equipment to and from. It was his songwriting that was posed to soon provide the duo a national breakout.
The break came in the form of the hit, “Spiders & Snakes,” written by David and recorded by Jim Stafford. The song became a smash, eventually selling more than three million units worldwide. It became the catapult that rocketed the brothers onto the L.A. music scene. Young and impressionable, Howard and David fell into the musical circle of the greats of the day: Bob Dylan, James Taylor and Van Morrison, as well as West Coast based country rockers like Poco and the Byrds.
It was a creative shoe that fit.
Now known by their music and the company they were keeping, The Bellamys officially lifted off the launch pad in 1976 when their single, “Let Your Love Flow,” became an instant smash in both the U.S. and Europe. It stayed on the international charts long enough to build a huge international fan base for the hip young brothers that endures to this day. In Germany alone it perched at No. 1 for more than two months. The love was indeed flowing as The Bellamys jammed for audiences on their sold-out concerts and shared stages with the likes of Loggins & Messina, the Doobie Brothers and the Beach Boys with their patented blend of rock/country music. True to their musical roots, their style and their songwriting was moving steadily more towards their raising.
By the late ‘70’s The Bellamys were emerging on the country charts with another bona fide smash. “If I Said You Had A Beautiful Body (Would You Hold It Against Me),” originally scrawled on a dinner napkin by David, rocketed them to the top of the country charts the way “Let Your Love Flow,” had done in the pop market just a few years earlier. It proved to be the first of a string of fourteen No. 1 singles in the U.S. alone.
Success followed success: “Dancing Cowboys,” “Sugar Daddy,” “You Ain’t Just Whistlin’ Dixie,” “Lovers Live Longer,” “Do You Love As Good As You Look,” “Redneck Girl,” “For All The Wrong Reasons,” “I Love Her Mind,” “I Need More Of You,” “Old Hippie,” “Too Much Is Not Enough,” “Kids Of The Baby Boom,” “Reggae Cowboy” and “Crazy From The Heart,”…all have lined the corridors of the Bellamy’s musical history and their walls with platinum and gold.
Along the way, Howard and David created a patent on the newly cool “duo” category in country music. In the era of the 2000’s, The Bellamy Brothers hold the record in both the Academy of Country Music (ACM) and the Country Music Association Awards (CMA) for the most duo nominations. Numerous GRAMMY nods have also been directed toward the brothers. Internationally, the story has been the same—though the titles may be different. The Bellamys have released more than two-dozen hit songs outside the U.S. that were never released here. With a sharp eye on the songwriting skills that have been the bedrock of their success, Howard and David concur that their career is unique in their international finesse for matching their songs to the market.
“For the international releases, you have to have a strong melody,” notes David. “The lyric is very important, but internationally the melody is something fans can lock into, even if they can’t understand the lyrics.” Howard and David continue to perform and film TV specials in Europe and around the world.
These days when the subject turns to touring, The Bellamys are showing a new generation of country music how it’s done. Country superstar Blake Shelton has helped introduce a new era of fans to the hits of The Bellamy Brothers during his annual Friends And Heroes Tour, where they continue to captivate arena audiences around the country. “We’re old road dogs,” grins Howard when asked about the motivation behind the brothers 200 plus concert dates each year. Adds David: “Our live draw is bigger than it was in the ‘80’s. I think the same people that grew up with us and with our music in the ‘60’s and ‘70’s obviously have raised a whole new generation of Bellamy fans who started toddling to our music. Now they’re turning up at our concerts as college kids, who are really turned on and tuned in to us and our music….it’s a great feeling.”
On the infrequent off days from the road, Howard and David head the bus back to their 150-acre family ranch in Darby, Florida just north of Tampa. A working ranch, the spread consists of Purebred Brahman Cattle and quarter horses. The Bellamys are opening up their lives to television audiences with their hit reality show “Honky Tonk Ranch.” Each episode of “Honky Tonk Ranch” enthralls viewers with the unpredictable misadventures of the Bellamys attempting to balance their globe-trotting touring schedule while also running their sprawling family ranch in south Florida. The show was originally broadcast on “The Cowboy Channel” (a subsidy of RFD-TV) and streamed around the world. Season two of “Honky Tonk Ranch” airs now on Thursday evenings at 8:30 p.m. ET on the Circle Network and will also be available for worldwide streaming in the very near future.
The Bellamy Brothers celebrated their 40th anniversary with the release of a two-CD collection, 40 years, an ambitious project containing 20 of their biggest hits and 20 brand-new songs. In 2019, the Bellamys released Over the Moon as well as their first book Let Your Love Flow – the Life and Times of The Bellamy Brothers. The book is about two Florida cowboys who journeyed from country poverty to worldwide musical stardom because they had the talent and because it never occurred to them, they couldn’t make it.
Their most recent project, Bucket List, debuted in July of 2020 with “Rednecks (Lookin’ for Paychecks),” a timely take on the current situation, leading the EP. Bucket List also includes “No Country Music For Old Men,” a collaboration with longtime friend John Anderson inspired by the loss of Kenny Rogers, and more light-hearted songs like “Lay Low, Stay High,” which ties into Howard and David’s recent partnership with the Florida-based medical marijuana company, Trulieve, on their flower product line Old Hippie Stash.
JONFOREMAN
Jon Foreman's musical journey began in a California garage filled with surfboards. These were the humble beginnings of multi-platinum selling, Grammy Award winning alt-rock band SWITCHFOOT.
As the stages and crowds grew larger, Foreman felt the need for personal connection more than ever. So after the lights, and smoke, and crowd-surfing died down, Jon began singing his acoustic songs in the parking lot behind the venue.
It was these "aftershows" that inspired his first four solo EPs in 2007: Fall, Winter, Spring, and Summer: Twenty-four understated songs that showcased a new side of his songwriting proficiency. These were followed up by another series of EPs in the spring of 2015 titled, "The Wonderlands" - featuring twenty-four songs, a song for every hour of the day.
2015 welcomed the release of "The Wonderlands" twenty-five more songs that underscored Foreman’s unique way of seeing the world. The project was an attempt to craft a song for every hour of the day, accompanied by an unprecedented attempt to play 25 shows in 24 hours, a daunting feat that would become the feature documentary, "25 IN 24".
In 2021, Foreman released his first full length record, “Departures” - a meditation on the polarities of the human experience: faith and doubt, life and death.
As a true songwriter’s songwriter, Foreman’s songs have been sung by a truly wide array of artists including: Taylor Swift, Twenty One Pilots’ Tyler Joseph, the Jonas Brothers, and Jon Bellion. From Mandy Moore to Meatloaf, his work is appreciated by quite a disparate cross section of the populace.
His latest work, “In Bloom,” was crafted to accompany a drive down the coast on a California afternoon. Nuanced and subtle, the collection is a return to the restraint of Foreman’s first solo effort.
Jimmy Fortune toured, sang and performed with the legendary Statler Brothers for 21 years. He joined them first as a temporary replacement for Lew DeWitt, after DeWitt heard him singing at a ski resort and recommended him. Following an audition in Nashville, Jimmy was contacted by The Statler Brothers and performed his first show with them on January 28, 1982, in Savannah, Georgia. Due to the debilitating effects of Crohn’s Disease, Lew was unable to return to the stage with the Statlers, and Jimmy was hired as a permanent replacement in August of 1982.
Fortune quickly lived up to his name. He wrote the group’s second No. 1 hit, “Elizabeth,” on their 1983 album Today, and followed that with two more No. 1 hits–“My Only Love” (from 1984’s Atlanta Blue) and “Too Much On My Heart” (from 1985’s Pardners in Rhyme). Fortune also wrote the top-10 hit “Forever” from 1986’s Four for the Show and co-wrote the top-10 hit “More Than a Name on a Wall” from 1988’s The Greatest Hits.
Jimmy has performed in all of the U.S. States, in Canadian Provinces, and in front of audiences as large as 100,000. He was part of the Statlers’ annual Happy Birthday USA celebration in Staunton, Virginia, for 14 years. He also sang on many of the Statlers’ gold, platinum, and double platinum recordings. Jimmy’s career included The Nashville Network’s popular “The Statler Brothers Show” which aired for seven seasons and debuted in 1991 as the highest rated show for the network. Jimmy was privileged to perform at the White House on two occasions, once for President Ronald Reagan, and once for President George H. W. Bush. He also presented a special gift to actress Elizabeth Taylor by singing his song “Elizabeth” to her for a birthday celebration.
Jimmy and The Statler Brothers were inducted into the GMA (Gospel Music Association) Hall of Fame on October 29, 2007, and inducted into the CMA (Country Music Association) Hall of Fame on June 29, 2008. Jimmy, as a solo artist, was inducted into the Virginia Musical Hall of Fame in 2018.
After The Statler Brothers retired on October 26, 2002, Jimmy seized the opportunity to launch a solo career to share new music with his fans. His first solo CD, When One Door Closes, was released August 2003 on Audium/Koch. He released a gospel album, I Believe, in June 2005, a Christmas CD, Feels Like Christmas, in 2006, a live concert DVD in 2007 a country CD, “Windows” in 2009, “Lessons” in 2012.
In 2015 Jimmy teamed up with the Gaither Music Group and recorded “Hits and Hymns” CD and DVD which debuted at #10 Billboard Country Album, #1 Southern Gospel, and #6 Billboard Contemporary Christian. The DVD debuted at #1 on Billboard Music Video charts. In 2017 he recorded a compilation of his favorite songs called “Jimmy Fortune Sings the Classics” on the Gaither Music label and in May 2019 they also released “God and Country” CD and DVD which won a Dove Award in 2020 for Country/Gospel/Roots Album of the Year.
In 2020 Jimmy joined his friends Ben Isaacs, Mike Rogers and Bradley Walker (Fortune/Walker/Rogers/Isaacs) in recording a quartet style project that included a CD and DVD called Brotherly Love that debuted #16 Billboard (all genres) Top Album Sales on 9-19-20. Their sophomore project, Listen To The Music, was released in 2023 under the name Brothers of the Heart. It debuted #32 Billboard (all genres) and #1 Christian.
Jimmy is currently living in Tennessee, writing, touring, and recording music.
Cowboy Bebop LIVE
3, 2, 1, let’s jam! The Bebop Bounty Big Band brings together storytelling and high-octane jazz like you’ve never seen before. Cowboy Bebop LIVE is a complete multimedia experience highlighting the story of critically acclaimed anime, Cowboy Bebop on the big screen with live music by the Bebop Bounty Big Band. This 14-piece jazz ensemble features world-class musicians with members from the Jazz Orchestra at Dr. Phillips Center, Orlando Jazz Orchestra, and Disney’s Main Street Philharmonic. Travel the solar system with anime’s most iconic soundtrack as Cowboy Bebop LIVE!
Bebop Bounty Big Band
The Bebop Bounty Big Band is made up entirely of professional world-class musicians. Performers include full-time members of Walt Disney World’s flagship ensemble - the Main Street Philharmonic, current and past members of the world famous Glenn Miller Orchestra, and members from the Jazz Orchestra at Dr Phillips Center. Each musician was hand-selected by band leader, Corey Paul, to perfectly represent the piece of the puzzle they fit into as a member of the Bebop Bounty Big Band and its incredible show, Cowboy Bebop LIVE!
Roster of Musicians
- Saxophones
- Tenor sax/Soprano sax/Flute/Lead Alto Kyle Schroeder
- Alto sax/Flute Sebastian Dones
- Tenor sax/Flute Alex Bodytko
- Baritone sax/Bass clarinet Josh Senften
- Trombones
- Lead trombone/Band leader Corey Paul
- Trombone 2 Derrick Harris
- Bass trombone Will Nestler
- Trumpets
- Lead trumpet Jim Derrick
- Trumpet 2 Josh Mercado
- Trumpet 3 Shawn Villanueva
- Rhythm Section
- Guitar Jon Oxford
- Acoustic/Electric Bass Brandon Miller
- Auxiliary Percussion Brian Radock
- Drum set Josh Platt
“This is a band you know would be killer live”
-Robin Hilton, All Songs Considered, 2024
Established in Virginia’s Shenandoah Valley, Palmyra explores the fusion of traditional folk string instruments, lush harmony, and earnest songwriting. The trio, now based in Richmond, captures the collective spirit of three Virginia natives: Teddy Chipouras, Mānoa Bell, and Sasha Landon. Often described as a distant cousin to The Avett Brothers and The Wood Brothers, Palmyra nods toward Appalachian and Midwestern Americana, with intricate arrangements that create the illusion of a full, larger-than-three ensemble.
The breakout folk trio has worked diligently to cement themselves as an unmistakable force in the Americana music landscape at large. Their forward momentum is propelled by their craftsmanship and dedication to an intimate performance experience; at the heart of the Palmyra is the evident love and regard that the three musicians share for each other and their craft.
Palmyra has directly supported Watchhouse, Mipso, and Illiterate Light, and has won honors and recognition from institutions including the historic Newport Folk Festival, American Songwriter, The Boston Globe, NPR, Under The Radar Magazine, Americanafest, and Merlefest. They were named one of NPR’s “Best New Artists of 2024”.
Crawford & Power, a dynamic duo hailing from Southwest Virginia, are redefining the country music scene with their distinctive sound. Rooted in southern authenticity, Jake Crawford's commanding vocals seamlessly blend with Ethan Power's modern Dobro approach, crafting their own brand of Appalachian Red Dirt Country.
Already leaving their mark, Crawford & Power have shared the stage with notable artists like The Marshall Tucker Band, Willie Nelson, Travis Tritt, and more. Their career gained momentum with the release of their debut EP, "Play a Hank Jr. Song," propelling them to over 5 million on-demand streams. Following up with singles like “She Liked to Get High” & “Letting You Go,” the duo spent 2022/2023 in the studio with Producer Grady Saxman, unveiling their latest EP, "Bring it On Home," as well as multiple singles in 2023.
As they set their sights on 2024 and beyond, Crawford & Power are preparing new music and continued musical exploration. This duo is just getting started, poised to captivate audiences with their evolving sound.
Homegrown Music Series: The Brothers Young
All of us are broken. But no-one is beyond repair. It’s a philosophy that Walter Trout has lived by during seven volatile decades at the heart of America’s society and blues-rock scene. Even now, with the world more fractured than ever – by politics, economics, social media and culture wars – the fabled US bluesman’s latest album, Broken, chronicles the bitter schisms of modern life but refuses to succumb to them.
“I’ve always tried to write positive songs, and this album is not quite that,” considers the 72-year-old of an all-original tracklisting that rages and soothes. “But I always hold on to hope. I think that’s why I wrote this album.”
For the last half-century, however rocky his path, hope has always lit the way. The beats of Trout’s unbelievable story are well-known: the traumatic childhood in Ocean City, New Jersey; the audacious move to the West Coast in ’74; the auspicious but chaotic sideman shifts with John Lee Hooker and Big Mama Thornton; the raging addictions that somehow never stopped the boogie when he was with Canned Heat in the early-’80s.
Even now, some will point to Trout’s mid-’80s guitar pyrotechnics in the lineup of John Mayall’s legendary Bluesbreakers as his career high point. But for a far greater majority of fans, the blood, heart and soul of his solo career since 1989 is the main event, the bluesman’s songcraft always reaching for some greater truth, forever surging forward, never shrinking back.
It’s a peerless creative streak underlined by the guitarist’s regular triumphs at ceremonies including the Blues Music Awards, SENA European Guitar Awards, British Blues Awards and Blues Blast Music Awards. The iconic British DJ ‘Whispering’ Bob Harris spoke for millions when he declared Trout “the world’s greatest rock guitarist” in his 2001 autobiography, The Whispering Years.
If he were a less questing artist, Trout could mark time and dine out on those past glories, leaving the polemics and calls-to-arms to a younger generation. But that’s not enough, considers the still-hungry veteran. “I have to grow. I want to be a vital contributing artist. I don’t want to come out every night and play my first hit, Life In The Jungle. I feel young. I know I’m not. But in my head, I’m still 25, still wanting to get better and do something I haven’t before. I have more to say.”
As the pandemic burnt out, Trout got back to business: the career-long cycle of writing, touring and resting still as natural to him as breathing. But scarcely had the world’s turntable needles dropped on his latest album, 2022’s Ride, when Trout felt the first tingles of incoming inspiration. Alternating between his homes in the remote Danish fishing village of Vorupør and Huntington Beach, California – or sometimes even in the back of the van, still slick with sweat after that night’s gig – the twelve songs of Broken demanded to be born.
“A lot of times I put on headphones, listen to music that gets me emotional, and then start just writing lyrics,” explains Trout of a process that still fascinates him. “I think these songs are as honest as I can be. The band came down to my house for rehearsals so we could just go in the studio and blow through this stuff.”
Kingsize Soundlabs in LA was the scene of the crime – a familiar Trout Band haunt that also hosted 2019’s Survivor Blues – and producer Eric Corne once again the man behind the glass. “This is our 15th album together,” calculates the bluesman. “Eric and I just have a way of working, man. A friend who came into the studio and watched us and said, ‘Man, you guys are like a machine’. It’s unspoken.”
Shinyribs defies genres as a sonic melting pot of Texas Blues, New Orleans R&B funk, horn- driven Memphis Soul, country twang, border music, big band swing, and roots-rock. The Austin-based nine-piece (sometimes 10-piece) supergroup is led by Kevin Russell, the charismatic frontman with colorful suits and extravagant shoes who continuously swaps out an electric guitar for a ukulele and never falls short of creating a cinematic experience with on- stage antics that often include him donning a light-up cloak or leading a conga line through the crowd.
Shinyribs was named ‘Best Austin Band’ at the Austin Chronicle’s Austin Music Awards in 2017 and 2018.
DISCOGRAPHY:
Well After Awhile (2010)
Gulf Coast Museum (2013)
Okra Candy (2015)
I Got your Medicine (2017)
The Kringle Tingle (2018)
Fog & Bling (2019)
Late Night TV Gold (2021)
Transit Damage (2023)
The Dip is a Seattle-based Rhythm and Blues band that is known for its poignant songwriting, detailed arrangements, and vintage sound. Featuring a three-piece horn section, the group’s music harkens back to earlier soul and funk influences while hinting at the jazz foundations that brought the band’s members together. Along with singer and guitarist Tom Eddy, bassist Mark Hunter and drummer Jarred Katz are equally at home in a tight-pocketed groove as they are spacious free-improvisation. Trumpet player Brennan Carter joined by saxophonists Evan Smith and Levi Gillis serve as the band’s melodic counterpoint, playing off Eddy’s vocals to create a distinct sonic character that has drawn in millions of listeners to date.
"Love Direction";, the follow-up to 2022’s "Sticking With It"; (which landed at #1 on the Billboard Current R&B Albums Chart) is the band’s fourth full-length studio album and second for Dualtone Records, is out now. This new record is the sound of the band taking their next step forward. The interplay of old and new is on full display throughout the album; and, the group augments their classic sound with an expanded instrumentation throughout. Eddy says of the
album’s inspiration: “As you get further along in a relationship, sometimes you lose your way. The things that came easily in the beginning get hard. The love is still there, it’s just that people and life are complicated. Sometimes you don’t have the tools in the toolbox to figure out what you need to do to support the other person, so you have to get help and ask for directions.”
Still, despite the title, this latest record isn’t a collection of straightforward love songs, but an investigation into the different angles and challenges that relationships can bring. Expanding on the album’s theme, Eddy further notes “These aren’t ‘Love Songs’ in the most obvious sense.
They deal with the middle stages, the hinterlands of love and life together - figuring someone out and what they need, learning how to communicate, and examining your own faults. We set out to write music that felt more grown, a little wiser. The songs that emerged all pointed in the Love Direction.”
Their last album cycle saw the band headline and sell-out shows at iconic venues across the country. They have also had the opportunity to support new friends like Lake Street Dive and The Black Pumas, while also appearing at major festivals including Bonnaroo and Outside Lands. No strangers to the road, this new album represents a reflection on the band’s touring gravitas as well as the promise of a new destination appearing on the horizon. Directions now in
hand, The Dip is looking forward to furthering this exploration into all matters of the heart by bringing this expansive and detailed new recording to life in their next travels together.
For The Bacon Brothers, music is all about exploration.
The siblings have spent the better part of three decades creating their own mix of folk, rock, soul, and country music. They call that diverse sound "forosoco," and it's taken them around the world, from headlining gigs in Japan to American performances at iconic venues like Carnegie Hall, the Grand Ole Opry and Gruene Hall.
The exploration continues with the band's twelfth release, Ballad Of The Brothers . It's a record that highlights not only the similarities between Kevin Bacon (known worldwide as an A-list Hollywood actor) and Michael Bacon (celebrated as an Emmy-winning composer), but the differences, too. The two siblings may be bound together by blood and a mutual love of American roots music, but they've grown into sharp songwriters and cinematic storytellers with their own distinct approaches. Ballad Of The Brothers makes room for both of those approaches, offering a mix of edgy alt-rock ("Take Off This Tattoo"), Motown-inspired soul ("Put Your Hand Up"), fingerpicked folk ("Let That Be Enough"), and everything in between.
"We're two musicians who write songs very differently, and we've grown to really appreciate those differences," says Michael. "Whenever I go see a band play live, I'd much rather see them do a thousand things than just one thing. We take a similar approach to our albums."
While writing new material for Ballad Of The Brothers , the Bacons made several trips to Tennessee, where they teamed up with Nashville-area songwriters like Casey Beathard, Brett Tyler, and Kimberly Kelly. They continued to travel once it came time to record the album, too. "Live With The Lie" was tracked in New Jersey, where the band abandoned the use of a click track in favor of capturing a raw, real performance with their touring band. "Put Your Hand Up," a brassy soul song that splits the difference between Memphis grit and Motown groove, was recorded in Philadelphia. "Take Off This Tattoo" was produced in Los Angeles by Kevin's son, Travis Bacon. "It sounded like a country song when we wrote it," Michael remembers, "but once we decided to give it to Trav, who has more of a rock and electronic sensibility, it became something new." The band even added a fiddle solo to "Take Off This Tattoo" — an unexpected choice for a rock song, perhaps, but one that emphasizes the Bacon Brothers' willingness to break new ground. "We worked with fiddle player Brian Fitzgerald on that song," explains Kevin, "and the direction we gave him was: 'Imagine that you're playing an electric guitar, but it just looks like a fiddle.' He absolutely crushed it."
Like much of the Bacon Brothers' work, Ballad Of The Brothers offers a mix of autobiography and richly-detailed fiction. The tongue-in-cheek "Old Bronco" finds Kevin turning a song about his 1969 Bronco truck into a metaphor for aging. "Airport Bar," one of the most gorgeous tracks in the Bacons' catalog, compares a doomed relationship to a sports bar in an airport terminal. On the album's title track (inspired by Gruene Hall, the historic dancehall where Willie Nelson played some of his most memorable shows), the brothers deliver a Wild West narrative about two East Coast city slickers who take a road trip to Texas. Whether by fate or by Faust, they find themselves onstage at a Texas honky-tonk, blessed with musical talent they didn't know they had. "I wanted to write a Faustian story set in one of my favorite states ever," says Michael. "It's sort of like Texas' own version of Charlie Daniels' 'The Devil Went Down to Georgia.'"
For Michael and Kevin Bacon, Ballad Of The Brothers marks the continuation of a musical partnership that began long ago in Philadelphia, where the two siblings were raised on a soundtrack of 1970s singer/songwriters, Philly soul bands, and classic rock acts. They're creating their own soundtrack now, and like many artistic endeavors, the work is never truly done.
"We're still exploring the sound we began making all those years ago; we've just gotten a lot better at it," Michael says. "Music is a life's work. It's a universe of things yet to know. We're still making new discoveries."
There is no other performer who looks and sounds so much like Elton John, nor any tribute act that provides the experience of being at an Elton John concert the way Gerald Brann and Yellow Brick Road do. Brann not only bears an uncanny resemblance to the international superstar — complete with gap-toothed smile and many of his mannerisms — but recreates Elton John's vocals and playing to a tee.
To capture the essence of the piano man, Brann dresses in replica costumes and wears Elton's trademark outrageous glasses. A trained jazz pianist, Brann has been a lifelong Elton John fan, and his admiration for and love of his music comes shining through as he plays one hit after another with remarkable likeness to the pop music icon. Brann and his talented five-piece band evoke audience participation throughout the entire show — whether singing along to "Rocket Man" and "Your Song," swaying to "Candle in the Wind," or hopping and bopping to "Crocodile Rock."
Shaun Hague has built quite the resume in the last decade of his life. At just 17, he was named “The Best Young Blues Guitarist” by The House of Blues and by 21, the young guitarist was playing guitar for blues phenom Kenny Wayne Shepherd. His career has also seen him sharing the stage with Amos Lee, John Waite, Terra Naomi, performing on Jay Leno and sitting in with John Fogerty.
In honor of his biggest musical influence (Eric Clapton), Hague has been making waves with his Journeyman – A Tribute to Eric Clapton which has become the #1 selling tribute to Eric Clapton in North America.
Robert Monroe is the founding member of Journeyman and a versatile performer of blues, gospel, latin, jazz, and classical. He is a Hammond artist and a highly sought after freelancer in the Chicagoland area. Robert is a regular performer with Elan Artists, Simply the Best, a Tribute to Tina Turner, Andrew Blake Band, and many others.
Darius Peterson has been a fixture on the Chicago music scene as a professional for over 25 years. He began playing at the age of 3, and has had the opportunity to share stages with many notable artists. Well versed in the gospel, R&B, Pop, and Rock genres, Darius continues to contribute to the music scene not only in Chicago, but all across the country.
Dina Bach, Chicago-based singer-songwriter and recording artist, has been performing and building an original music career for over a decade, with music airing on Big 95.5, WGN Radio, NPR’s WNIJ, Radio One Chicago, and Radio Sobro Nashville. To add to these original music accomplishments, she was also asked to sing the National Anthem for her home-town Chicago Cubs at Wrigley Field. With a genuinely charismatic and glowing personality live and off stage, her warm vocals and evocative lyrics create a sound that is both original and approachable. When she is not touring with Journeyman- A Tribute to Eric Clapton, you can find her performing throughout the Midwest, writing music in Nashville and releasing original recordings. (www.dinabach.com)
Brandon Stephens is an accomplished bassist, producer, and professional musician with over 10 years of experience in the music industry. His style is heavily influenced by the greats in the bass world, including Marcus Miller, James Jamerson, and Sharay Reed. Brandon was born and raised in Chicago, Il, where he continues to reside and be an active member of the music community. He has a passion for all genres of music, and his work showcases his ability to seamlessly blend various styles and create something truly unique. With his exceptional talent and unwavering dedication to his craft, Brandon Stephens is a rising star in the music industry.
Must be 13+ to attend
Unlock the mind of a murderer.
Join forensic psychologist Dr. Rachel Toles for an illuminating journey into the darkest corners of a killer’s psyche. In The Psychology of a Murderer, Dr. Toles delves deep into the twisted minds and motives of infamous killers, including Jeffrey Dahmer, Aaron Hernandez, Chris Watts, Aileen Wuornos, the Menendez Brothers, and more.
Discover the psychological factors that drive individuals to commit these heinous acts, and explore the complex interplay of trauma, environment, and mental health. Through gripping case studies, expert analysis, and audience Q&A, you'll gain a deeper understanding of what turns ordinary people into murderers.
Whether you’re a true crime aficionado or simply curious about the human mind, The Psychology of a Murderer promises to be an unforgettable experience. Don't miss this captivating evening of insight, discussion, and reflection.
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Grace Bowers was baptized by rock ‘n’ roll music. She cut her teeth on sweat soaked stages inside dive bars and found fellowship in the divine playing of B.B. King. She once studied six-string scripture – written by Slash and Leslie West – for hours a day, mastering her favorite riffs on a ‘61 cherry-finished Gibson SG.
As an up-and-comer in Nashville, Dolly Parton recruited her for a network television special and Tyler Childers requested that she join him on stage. She’s played with a who’s-who of three-chord storytellers and guitar-pickin’ torchbearers – Lainey Wilson, Christone “Kingfish” Ingram and Susan Tedeschi, to name a few.
And she’s not yet old enough to graduate high school. Phenom? Wunderkind? … Prodigy? No matter what label may be pinned to Bowers, she’s just a teenager who’s putting her faith in rock ‘n’ roll – one song at a time.
“[It’s] a cool thing,” Bowers said. “It blows people’s minds that I’m a 17-year-old girl, playing guitar. And as much as I hate being labeled as that, it’s true.”
But Bowers isn’t just a sought-after 17-year-old guitarist storming jam sessions with her Gibson and a gold-blonde mop of shoulder-length curls, of course. She’s a bandleader and songwriter preparing to leave her mark on some of the biggest stages in music. Her debut album, Wine On Venus – produced by ace guitarist and songwriter John Osborne (of hitmaking country group Brothers Osborne) – hits turntables and streaming services later this year.
Listeners get a first taste of the album on lead single and standout number “Tell Me Why U Do That,” where Bowers and her band – affectionately called The Hodge Podge – deliver a throwback, feel-good tune that comes jam-packed with funk grooves, soul-inspired melodies and a stop-you-in-your-tracks guitar solo. It’s the type of song that dares listeners not to stand up and sing along.
Bowers co-wrote “Tell Me Why U Do That” alongside Osborne and his singer-songwriter wife Lucie Silvas, plus Nashville artist-songwriters Meg Mcree and Ben Chapman.
“I hope this is the one that gets stuck in people’s heads,” Bowers said, with a laugh.
“Tell Me Why U Do That” and the rest of Wine On Venus showcases Bowers’ journey from a teenager who livestreamed bedroom practice sessions on Reddit – sometimes to 20,000+ viewers, no less – to a bona fide album-maker with more than 200,000 followers on Instagram. She picked up the acoustic guitar as a nine-year-old obsessed with so-called “cheesy” hair metal videos. A few years later, her fandom progressed to blues music after she stumbled across B.B. King while shuffling through radio stations in her mom’s car. The proverbial floodgates opened, leading her to discover essential blues artists Mississippi John Hurt, T. Bone Walker and others.
A native of Northern California, Bowers and her family relocated to Nashville two-and-a-half years ago, weeks before her freshman year of high school (Bowers now studies online). Not yet old enough to drive, she continued to grow her audience on social media, becoming a Gibson-endorsed artist by age 14.
She found her way to performing live, taking her skills to dive bars and pay-at-the-door rock clubs before graduating to guest spots at Newport Folk Festival, Nashville’s Big Bash New Year’s Eve concert and her own fundraising gig for victims of the city’s Covenant School shooting in 2023, among others.
How did one teenager cover so much musical ground in such a short time? “Lots of practice,” she said. “Lots of cutting teeth. Lots of not saying ‘no’ to people when I should’ve. Just being stubborn and persistent. I have worked my ass off to make this happen. Just hard work.”
On the album, Bowers and The Hodge Podge graduate from traditional rock and blues influence to sounds inspired by Parliament-Funkadelic and Sly and the Family Stone, she said. The group takes its name from a mixed bag of players that Bowers would invite to share the stage with on a given night. Despite now being a solidified group, the name stuck. The Hodge Podge includes vocalist Esther Okai-Tetteh, bassist Eric Fortaleza, drummer Brandon Combs, guitarist Prince Parker and keys player Joshua Blaylock.
Bowers co-wrote most of Wine On Venus in songwriting circles – a creative exercise that took her “a hot second” to comfortably navigate. But listeners wouldn’t know a first-timer was behind much of Wine On Venus; that’s clear on “Holding On To Something,” a savvy and confident number anchored by a riff Bowers began toying with years ago, she said. The song features a slow-building solo that culminates with harmonized playing and a high-flying howl from Okai-Tetteh.
“I never forgot [that riff] and I was jamming on it one day with a friend of mine. We were writing some lyrics to it and we called over Esther,” she said. “This was the first time we had ever written [together]. It turned out to be that song.”
And Wine On Venus features a cover of Sly and the Family Stone’s “Dance To The Music” that takes on a Hodge Podge twist.
“It was just fun,” Bowers said, recalling the cover session with a laugh. “If you listen to it, you can hear all of our voices in the background throughout the entire song, which I thought was a cool thing to keep in. That one took us a couple hours to knock out. It was a fun, easy song.”
This year, Bowers and the band take Wine On Venus on the road for a run of dream-making festival shows, including slots at BottleRock Napa Valley, Bristol Rhythm & Roots Reunion, Bourbon & Beyond and Pilgrimage Music & Cultural Festival, among others.
But a booked schedule doesn’t mean Bowers isn’t already thinking about the next project. Like most people who believe in something, she wants to find out where this rock ‘n’ roll journey leads her.
“I love it,” she said. “Seeing where I can go with it, I still have so much to learn.”
Della Mae is a GRAMMY-nominated all-woman string band featuring founding members Celia Woodsmith (lead vocalist/guitarist) and 2-time Grand National champion fiddle player Kimber Ludiker, along with guitarist Avril Smith, and two-time IBMA Bass Player of the Year Vickie Vaughn.
Hailing from across North America, and reared in diverse musical styles, Della Mae is one of the most charismatic and engaging roots bands touring today. They have traveled to over 30 countries spreading peace and understanding through music. Their mission as a band is to showcase top female musicians, and to improve opportunities for women and girls through advocacy, mentorship, programming, and performance.
Their live shows are foot-stomping, crowd-pleasing riots, full of the kind of high-octane instrumental skills that the band – now in its twelfth year and its third incarnation – was always intended to showcase. - The Guardian
Artist Website: https://www.dellamae.com/
Originating from Gainesville, FL, Sister Hazel is comprised of five gifted, seasoned musicians whose well-spring of natural talent has been called "one of the Top 100 Most Influential Independent Performers of the last 15 years" by Performing Songwriter Magazine. Song "All for You," topped the adult alternative charts during the summer of 1997 and the success propelled their album to platinum status. . Since then, the band has become firmly established not only in rock and alternative music, but now in country with four back-to-back Billboard Top Country Albums Chart entries along with making their debut on the most revered stage in country music, the Grand Ole Opry. They have most recently co-produced a cleverly themed EP compilation series entitled “Elements,” that includes a bonus seventh track that continued throughout the series.
Living up to their fan-centered reputation, the band was a pioneer in the themed cruise industry by co-founding "The Rock Boat" and annually hosts events like the “Hazelnut Hang,” and "Camp Hazelnut" that focuses on creating unique experiences and interacting with the fans. Sister Hazel has been equally attentive to connecting with their audience through social media having amassed over a million social followers. In addition to the events and touring, the band also gives back with “Lyrics For Life.” Founded by singer Ken Block, the charity unites musicians and celebrities for concerts and auctions to benefit cancer research and patient-care charities.
"The music and energy of two legendary stadium rock bands comes together in one electrifying show! Their repertoire of classics hits by Foreigner and Journey provide a crowd-pleasing night of unforgettable music. Get your wine coolers, mullets and stone washed jean vests ready for a night of sing along debauchery and dance grooves that will pop you from your seats. From heartwarming power ballads like "Faithfully," "I Want to Know What Love Is," to anthems like "Feels Like The First Time," "Don't Stop Believin'," "Cold As Ice" and "Any Way You Want It," Foreigners Journey A Tribute to Foreigner & Journey featuring vocalists from American Idol are more than a tribute band. They're a time machine, and their energy is infectious!"
Featuring 2X Tony Nominated Star of Broadway's Rock of Ages and American Idol Icon - CONSTANTINE MAROULIS! Their repertoire of classics by Foreigner and Journey provide a crowd-pleasing night of unforgettable music. Not only heightened to new levels with the addition of Constantine, expect added "Rock Of Ages" mash ups that will take you right back to the Sunset Strip!! Get ready for a night of sing along and dance grooves that will pop you from your seats. From heartwarming power ballads like "Faithfully," "I Want to Know What Love Is," to anthems like "Hot Blooded," "Separate Ways," "Jukebox Hero" and "Don't Stop Believin'," FJ with Constantine Maroulis are more than a tribute band. They're a time machine, and their energy is infectious!"
Beginnings - A Celebration of the Music of Chicago brings the magic of a live Chicago performance to
life and exceptionally recreates their enormous songbook of contemporary hits.
The music of Rock and Roll Hall of Fame inductees Chicago spans more than five decades and includes
five # 1 albums and over 20 top-ten hits. The band transports the listener back to a time of big arena
concerts with all the sound, excitement, and emotion generated from Chicago's extensive catalog of gold
and platinum recordings.
Beginnings has one of the most entertaining live performances you can see today. Expect a family-
friendly entertainment event that is pleasing to music lovers of all ages!
SHOW HIGHLIGHTS: Beginnings, Make Me Smile, 25 or 6 to 4, Call on Me, Saturday in the Park, Old Days,
You're the Inspiration, Alive Again, Color My World, Just You and Me, I've Been Searchin' So Long, Free,
Hard to Say I'm Sorry, and many, many more!
OFFICIAL WEBSITE: www.beginningslive.com
FACEBOOK: www.facebook.com/BeginningsTributeBand
INSTAGRAM: www.instagram.com/beginningstribute/
TWITTER: twitter.com/Beginnings_Live
YOUTUBE: www.youtube.com/channel/UC5525O46vGYWFlpxIkg1xvw
Following his groundbreaking win on NBC’s Last Comic Standing in 2006, Josh Blue has risen through the ranks to become a well-established headliner at venues throughout the world. In 2018, Josh crushed his set on The Tonight Show Starring Jimmy Fallon. In the same year, he was honored with a performance at the William H. Macy Gala at the prestigious Just for Laughs Comedy Festival in Montreal, Canada. He wrapped up 2018 by recording his fifth hour special at his home club, Comedy Works in Denver, CO. Josh does over 200 shows a year, continuing to spread laughter and break down stereotypes of people with disabilities. His stand-up routine is in a constant state of evolution and his off-the-cuff improvisational skills guarantee that no two shows are alike.
Critics have said Josh is not a cerebral palsy comic; he’s a comic who happens to have cerebral palsy. However, his closest friends describe him as “a d-bag.”
Josh made his television debut on Comedy Central’s Mind of Mencia. His story has been featured on Fox, CBS, ABC, MSNBC, and CNN. He was the first comedian to perform stand-up on The Ellen DeGeneres Show, was named Best Winning Reality Show Guest on Live with Regis and Kelly, and made standout appearances on Comics Unleashed. He has appeared twice on Ron White’s Comedy Salute to the Troops on CMT and made his late night television debut on The Late Late Show with Craig Ferguson. He became the first comic to premiere a stand-up special on the big screen when 7 More Days in the Tank was shown in movie theaters across the country. It also aired on Bravo Network. Josh starred in Comedy Central Presents: Josh Blue in 2011. His third one-hour special Sticky Change aired on Showtime and Netflix. In 2016, Josh released his fourth one-hour special, DELETE on HULU and Amazon. Josh dropped a music CD Josh Blue and the Hooligan Stew Review with some original songs. It has been described as “Tom Waits meets the Muppets.”
Josh is a repeat guest on such nationally syndicated radio programs as NPR’s Talk of the Nation, The Mancow Show, and numerous podcasts including Getting Doug with High, and WTF with Mark Maron. He has been featured in numerous print publications including People Magazine and The New York Times. Josh is all over social media with over 1 million views on his YouTube clips and almost one million followers on Facebook.
Josh represented the United States in 8 countries as a member of the US Paralympic Soccer Team. Josh and his team were thoroughly disgraced in the 2004 Paralympic Games in Athens, Greece by not scoring a single goal. He is a single father living in Denver, CO with his son, Simon and his daughter, Seika. He also boasts a girlfriend.